Do Re MiC D E

Best Is Yet To Come (Page 2), The

Coleman Cy4/4medium-swing

Chord Diagrams — Best Is Yet To Come (Page 2), The in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
C♯7/F
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
Fm6
3frEADGBE11xx32
EADGBE1x234
6frEADGBE11x324
9frEADGBExx2314
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
D7♯11
EADGBExx123
4frEADGBE11x234
7frEADGBEx3142
9frEADGBE111234
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
D♯7♭9
EADGBExx24
5frEADGBE11x234
6frEADGBE11x34
9frEADGBE3241xx
G♯13
EADGBE111432
4frEADGBE111324
4frEADGBE111234
10frEADGBE44x213
G7♭9♭13
G - B - D - F - A♭ - E♭
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
F♯6
EADGBE2x143x
EADGBE11x324
4frEADGBE111x34
9frEADGBE3333x1
C♯6
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
Edim7
EADGBExx1324
EADGBE123
6frEADGBEx2314x
11frEADGBE112x3x
C♯6/F
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
Amaj7
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
A6
EADGBE1111x
4frEADGBE2x143x
5frEADGBE113x24
10frEADGBEx4231x
Aaug
EADGBEx4231
2frEADGBE11432x
5frEADGBE11x423
10frEADGBE11x32x
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2

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Best Is Yet To Come (Page 2), The in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to C# (descending major third), C# to F (ascending major third), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to C# (descending half step), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C (ascending perfect fourth), C to C# (ascending half step), C# to A# (descending minor third), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to F# (ascending half step), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to C# (descending minor third), C# to E (ascending minor third), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to A (ascending unison), A to A (ascending unison), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to F by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: CCDA

Chords: Fm, C♯7/F, Fm6, D♯7, G♯7, D7♯11, C♯7, D♯7♭9, G♯13, G7♭9♭13, C7♭9, C♯9, A♯7sus4, A♯7, D♯m7, Fm7, F♯6, C♯6, Edim7, C♯6/F, E13, Amaj7, A7, A6, Aaug, A, F♯7, B7, E7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#