Do Re MiC D E

Bein' Green

Raposo Joe4/4even-8ths
G7♯5
Cm7♭5/A♭
F7sus4
D♯7sus4
G♯maj
F♯/E♭
E/D♭
D♯7/C
G7♯5
Cm7♭5/A♭

Chord Diagrams — Bein' Green in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
G7♯5
EADGBE1x234x
EADGBE4312
5frEADGBExx1423
10frEADGBE11x432
Cm7♭5/A♭
EADGBEx1324x
4frEADGBE11xx24
8frEADGBE111234
10frEADGBE333xx1
F7sus4
EADGBE111134
6frEADGBE111234
8frEADGBE111134
10frEADGBE11xx34
F7♭9
EADGBE111423
EADGBE11xx23
7frEADGBE11x234
11frEADGBE3241xx
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯maj
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
F♯/E♭
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
E/D♭
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
D♯7/C
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯6
EADGBE1111x3
3frEADGBE2x143x
6frEADGBE111x34
9frEADGBEx4231x
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
FmMaj7
EADGBE111132
3frEADGBExx1342
8frEADGBE111423
12frEADGBExx4231
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x

Explore More

Bein' Green in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to E (descending whole step), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to F (ascending tritone), F to F (ascending unison), F to F (ascending unison), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: ABA

Chords: G♯maj7, G7♯5, Cm7♭5/A♭, F7sus4, F7♭9, A♯m7, D♯7sus4, D♯7, G♯maj, F♯/E♭, E/D♭, D♯7/C, G♯6, F♯maj7, Bmaj7, Fm, FmMaj7, Fm7, A♯7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#