Do Re MiC D E

Bein' Green

Raposo Joe4/4even-8ths
E7♯5
Am7♭5/A♭
D7sus4
C7sus4
Fmaj
D♯/E♭
C♯/D♭
C7/C
E7♯5
Am7♭5/A♭
E7♯5
Am7♭5/A♭
D7sus4
C7sus4

Chord Diagrams — Bein' Green in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
E7♯5
2frEADGBExx1423
EADGBE412
7frEADGBE11x432
12frEADGBE1x234x
Am7♭5/A♭
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
D7sus4
3frEADGBEx2341x
EADGBExx214
5frEADGBE111134
10frEADGBE111134
D7♭9
4frEADGBE11x234
2frEADGBExx431
5frEADGBE11x24
8frEADGBE3241xx
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C7sus4
5frEADGBE11xx23
EADGBE11x234
3frEADGBE111134
8frEADGBE111134
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Fmaj
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
D♯/E♭
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
C♯/D♭
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
C7/C
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
F6
8frEADGBE113333
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
D♯maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
G♯maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
Dm
6frEADGBEx4231x
EADGBExx231
5frEADGBE111342
10frEADGBE111134
DmMaj7
5frEADGBE111423
EADGBExx231
2frEADGBE11x42
10frEADGBE111132
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134

Explore More

Bein' Green in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to E (descending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to D# (descending whole step), D# to C# (descending whole step), C# to C (descending half step), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to D (ascending unison), D to D (ascending unison), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from G to F by whole step.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: ABA

Chords: Fmaj7, E7♯5, Am7♭5/A♭, D7sus4, D7♭9, Gm7, C7sus4, C7, Fmaj, D♯/E♭, C♯/D♭, C7/C, F6, D♯maj7, G♯maj7, Dm, DmMaj7, Dm7, G7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F