Do Re MiC D E

Bein' Green

Raposo Joe4/4even-8ths
G♯7♯5
C♯m7♭5/A♭
F♯7sus4
E7sus4
Amaj
G/E♭
F/D♭
E7/C
G♯7♯5
C♯m7♭5/A♭
G♯7♯5
C♯m7♭5/A♭
F♯7sus4
E7sus4

Chord Diagrams — Bein' Green in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
C♯m7♭5/A♭
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7sus4
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Amaj
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
G/E♭
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
F/D♭
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
E7/C
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
A6
EADGBE1111x
4frEADGBE2x143x
5frEADGBE113x24
10frEADGBEx4231x
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
F♯m
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
F♯mMaj7
EADGBE111132
4frEADGBE11x342
6frEADGBE11x42x
9frEADGBE111423
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132

Explore More

Bein' Green in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G# (descending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to G (descending whole step), G to F (descending whole step), F to E (descending half step), E to A (ascending perfect fourth), A to G (descending whole step), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to F# (ascending unison), F# to F# (ascending unison), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: ABA

Chords: Amaj7, G♯7♯5, C♯m7♭5/A♭, F♯7sus4, F♯7♭9, Bm7, E7sus4, E7, Amaj, G/E♭, F/D♭, E7/C, A6, Gmaj7, Cmaj7, F♯m, F♯mMaj7, F♯m7, B7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A