Do Re MiC D E

Bein' Green

Raposo Joe4/4even-8ths
B7♯5
Em7♭5/A♭
A7sus4
G7sus4
Cmaj
A♯/E♭
G♯/D♭
G7/C
B7♯5
Em7♭5/A♭
B7♯5
Em7♭5/A♭
A7sus4
G7sus4

Chord Diagrams — Bein' Green in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
B7♯5
7frEADGBE1x234x
EADGBEx2134
2frEADGBEx213
9frEADGBExx1423
Em7♭5/A♭
7frEADGBEx1324x
EADGBE33312
8frEADGBE11xx24
11frEADGBE2x341x
A7sus4
7frEADGBEx1324
EADGBEx23
5frEADGBE111134
10frEADGBE11x234
A7♭9
6frEADGBE11xx23
EADGBE11x23
5frEADGBE111423
11frEADGBE11x234
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
G7sus4
8frEADGBE11x234
EADGBE1123
3frEADGBE111134
10frEADGBE111134
G7
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
Cmaj
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
A♯/E♭
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
G♯/D♭
8frEADGBE111432
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
G7/C
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
C6
8frEADGBE11x324
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
A♯maj7
8frEADGBE11333x
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
D♯maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
Am
7frEADGBEx1342
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
AmMaj7
7frEADGBE11x342
EADGBEx312
5frEADGBE111132
9frEADGBE11x42x
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132

Explore More

Bein' Green in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to A# (descending whole step), A# to G# (descending whole step), G# to G (descending half step), G to C (ascending perfect fourth), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from D to C by whole step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: ABA

Chords: Cmaj7, B7♯5, Em7♭5/A♭, A7sus4, A7♭9, Dm7, G7sus4, G7, Cmaj, A♯/E♭, G♯/D♭, G7/C, C6, A♯maj7, D♯maj7, Am, AmMaj7, Am7, D7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C