Do Re MiC D E

Bein' Green

Raposo Joe4/4even-8ths
A♯7♯5
D♯m7♭5/A♭
G♯7sus4
F♯7sus4
Bmaj
A/E♭
G/D♭
F♯7/C
A♯7♯5
D♯m7♭5/A♭
A♯7♯5
D♯m7♭5/A♭
G♯7sus4
F♯7sus4

Chord Diagrams — Bein' Green in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
A♯7♯5
6frEADGBE1x234x
EADGBE11x432
8frEADGBExx1423
12frEADGBEx213x4
D♯m7♭5/A♭
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
G♯7♭9
4frEADGBE11xx23
EADGBE111x2
5frEADGBE11xx23
10frEADGBE11x234
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Bmaj
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A/E♭
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G/D♭
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
F♯7/C
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
B6
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
Amaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
Dmaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯mMaj7
4frEADGBE111132
EADGBE11x243
6frEADGBE11x342
11frEADGBE11x423
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132

Explore More

Bein' Green in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A# (descending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to A (descending whole step), A to G (descending whole step), G to F# (descending half step), F# to B (ascending perfect fourth), B to A (descending whole step), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to G# (ascending unison), G# to G# (ascending unison), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: ABA

Chords: Bmaj7, A♯7♯5, D♯m7♭5/A♭, G♯7sus4, G♯7♭9, C♯m7, F♯7sus4, F♯7, Bmaj, A/E♭, G/D♭, F♯7/C, B6, Amaj7, Dmaj7, G♯m, G♯mMaj7, G♯m7, C♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B