Do Re MiC D E

Bein' Green

Raposo Joe4/4even-8ths
A7♯5
Dm7♭5/A♭
G7sus4
F7sus4
A♯maj
G♯/E♭
F♯/D♭
F7/C
A7♯5
Dm7♭5/A♭
A7♯5
Dm7♭5/A♭
G7sus4
F7sus4

Chord Diagrams — Bein' Green in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
A7♯5
EADGBE11x23
EADGBEx321
5frEADGBE11x23
7frEADGBExx1423
Dm7♭5/A♭
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
8frEADGBEx1432
G7sus4
EADGBE1123
3frEADGBE111134
8frEADGBE11x234
10frEADGBE111134
G7♭9
EADGBE11324
EADGBE111x23
4frEADGBE11xx23
9frEADGBE11x234
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
F7sus4
EADGBE111134
6frEADGBE111234
8frEADGBE111134
10frEADGBE11xx34
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A♯maj
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
G♯/E♭
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
F♯/D♭
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
F7/C
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯6
EADGBE3333x1
5frEADGBE2134
6frEADGBE113x24
10frEADGBEx4231x
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
GmMaj7
3frEADGBE111132
EADGBE3142
5frEADGBE11x342
10frEADGBE11x423
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132

Explore More

Bein' Green in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A (descending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to F# (descending whole step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to G (ascending unison), G to G (ascending unison), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: ABA

Chords: A♯maj7, A7♯5, Dm7♭5/A♭, G7sus4, G7♭9, Cm7, F7sus4, F7, A♯maj, G♯/E♭, F♯/D♭, F7/C, A♯6, G♯maj7, C♯maj7, Gm, GmMaj7, Gm7, C7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#