Do Re MiC D E

Maria Maria

Nascimento Milton4/4mpb
D/A♭
A♯/A♭
C/A♭
G♯/A♭
D/G
Em7/E♭
C/F
D/A♭
A♯/A♭
C/A♭
G♯/A♭
D/G
Em7/E♭
C/F
D/A♭
A♯/A♭
C/A♭
G♯/A♭
%
D/A♭
A♯/A♭
C/A♭
G♯/A♭
D/G
Em7/E♭
C/F
%
G7sus4
G♯/A♭
D♯/A♭
%
%
%
G7sus4
G♯/A♭
D♯/A♭
%
%
%
A7sus4
A♯/B♭
F/B♭
%
D/A♭
A♯/A♭
C/A♭
G♯/A♭
D/G
Em7/E♭
C/F
D/A♭
A♯/A♭
C/A♭
G♯/A♭
D/G
Em7/E♭
C/F

Chord Diagrams — Maria Maria in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
D/A♭
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
A♯/A♭
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
C/A♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
G♯/A♭
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
D/G
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
Em7/E♭
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
F6
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
8frEADGBE113333
C/F
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
D♯maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
D♯/A♭
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
A7sus4
5frEADGBE111134
EADGBEx23
7frEADGBEx1324
10frEADGBE11x234
A♯/B♭
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
F/B♭
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234

Explore More

Maria Maria in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to D (descending perfect fourth), D to A# (descending major third), A# to C (ascending whole step), C to G# (descending major third), G# to D (ascending tritone), D to E (ascending whole step), E to E (ascending unison), E to C (descending major third), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to D# (ascending minor third), D# to G (ascending major third), G to G (ascending unison), G to D# (descending major third), D# to A (ascending tritone), A to A (ascending unison), A to A# (ascending half step), A# to F (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G by whole step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

mpb4/4 · 65 bars · Form: AB

Chords: G, D/A♭, A♯/A♭, C/A♭, G♯/A♭, D/G, Em7, Em7/E♭, Cmaj7, F6, C/F, D♯maj7, Gm7, G7sus4, D♯/A♭, Am7, A7sus4, A♯/B♭, F/B♭.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G