Do Re MiC D E

Maria Maria

Nascimento Milton4/4mpb
A/A♭
F/A♭
G/A♭
D♯/A♭
A/G
Bm7/E♭
G/F
A/A♭
F/A♭
G/A♭
D♯/A♭
A/G
Bm7/E♭
G/F
A/A♭
F/A♭
G/A♭
D♯/A♭
%
A/A♭
F/A♭
G/A♭
D♯/A♭
A/G
Bm7/E♭
G/F
%
D7sus4
D♯/A♭
A♯/A♭
%
%
%
D7sus4
D♯/A♭
A♯/A♭
%
%
%
E7sus4
F/B♭
C/B♭
%
A/A♭
F/A♭
G/A♭
D♯/A♭
A/G
Bm7/E♭
G/F
A/A♭
F/A♭
G/A♭
D♯/A♭
A/G
Bm7/E♭
G/F

Chord Diagrams — Maria Maria in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
A/A♭
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F/A♭
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
G/A♭
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
D♯/A♭
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A/G
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
Bm7/E♭
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
C6
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324
G/F
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
D7sus4
5frEADGBE111134
EADGBExx214
3frEADGBEx2341x
10frEADGBE111134
A♯/A♭
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
E7sus4
7frEADGBE111134
EADGBE23
5frEADGBE11x234
9frEADGBE11xx23
F/B♭
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
C/B♭
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4

Explore More

Maria Maria in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to A (descending perfect fourth), A to F (descending major third), F to G (ascending whole step), G to D# (descending major third), D# to A (ascending tritone), A to B (ascending whole step), B to B (ascending unison), B to G (descending major third), G to C (ascending perfect fourth), C to G (descending perfect fourth), G to A# (ascending minor third), A# to D (ascending major third), D to D (ascending unison), D to A# (descending major third), A# to E (ascending tritone), E to E (ascending unison), E to F (ascending half step), F to C (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to D by whole step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

mpb4/4 · 65 bars · Form: AB

Chords: D, A/A♭, F/A♭, G/A♭, D♯/A♭, A/G, Bm7, Bm7/E♭, Gmaj7, C6, G/F, A♯maj7, Dm7, D7sus4, A♯/A♭, Em7, E7sus4, F/B♭, C/B♭.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D