Do Re MiC D E

Maria Maria

Nascimento Milton4/4mpb
G/A♭
D♯/A♭
F/A♭
C♯/A♭
G/G
Am7/E♭
G/A♭
D♯/A♭
F/A♭
C♯/A♭
G/G
Am7/E♭
G/A♭
D♯/A♭
F/A♭
C♯/A♭
%
G/A♭
D♯/A♭
F/A♭
C♯/A♭
G/G
Am7/E♭
%
C7sus4
C♯/A♭
G♯/A♭
%
%
%
C7sus4
C♯/A♭
G♯/A♭
%
%
%
D7sus4
D♯/B♭
A♯/B♭
%
G/A♭
D♯/A♭
F/A♭
C♯/A♭
G/G
Am7/E♭
G/A♭
D♯/A♭
F/A♭
C♯/A♭
G/G
Am7/E♭

Chord Diagrams — Maria Maria in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
G/A♭
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
D♯/A♭
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
F/A♭
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
C♯/A♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G/G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Am7/E♭
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
A♯6
5frEADGBE2134
EADGBE3333x1
6frEADGBE113x24
10frEADGBEx4231x
F/F
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
G♯maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
C7sus4
8frEADGBE111134
EADGBE11x234
3frEADGBE111134
5frEADGBE11xx23
G♯/A♭
8frEADGBE111432
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
Dm7
10frEADGBE111113
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
D7sus4
10frEADGBE111134
EADGBExx214
3frEADGBEx2341x
5frEADGBE111134
D♯/B♭
8frEADGBE111xx4
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
A♯/B♭
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342

Explore More

Maria Maria in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to D# (descending major third), D# to F (ascending whole step), F to C# (descending major third), C# to G (ascending tritone), G to A (ascending whole step), A to A (ascending unison), A to F (descending major third), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to C (ascending major third), C to C (ascending unison), C to G# (descending major third), G# to D (ascending tritone), D to D (ascending unison), D to D# (ascending half step), D# to A# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C by whole step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

mpb4/4 · 65 bars · Form: AB

Chords: C, G/A♭, D♯/A♭, F/A♭, C♯/A♭, G/G, Am7, Am7/E♭, Fmaj7, A♯6, F/F, G♯maj7, Cm7, C7sus4, G♯/A♭, Dm7, D7sus4, D♯/B♭, A♯/B♭.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C