Do Re MiC D E

Maria Maria

Nascimento Milton4/4mpb
B/A♭
G/A♭
A/A♭
F/A♭
B/G
C♯m7/E♭
A/F
B/A♭
G/A♭
A/A♭
F/A♭
B/G
C♯m7/E♭
A/F
B/A♭
G/A♭
A/A♭
F/A♭
%
B/A♭
G/A♭
A/A♭
F/A♭
B/G
C♯m7/E♭
A/F
%
E7sus4
F/A♭
C/A♭
%
%
%
E7sus4
F/A♭
C/A♭
%
%
%
F♯7sus4
G/B♭
D/B♭
%
B/A♭
G/A♭
A/A♭
F/A♭
B/G
C♯m7/E♭
A/F
B/A♭
G/A♭
A/A♭
F/A♭
B/G
C♯m7/E♭
A/F

Chord Diagrams — Maria Maria in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
B/A♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
G/A♭
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
A/A♭
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
F/A♭
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
B/G
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
C♯m7/E♭
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
D6
5frEADGBE3333x1
EADGBExx23
3frEADGBEx4231x
7frEADGBE111134
A/F
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
E7sus4
7frEADGBE111134
EADGBE23
5frEADGBE11x234
9frEADGBE11xx23
C/A♭
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
F♯7sus4
9frEADGBE111134
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
G/B♭
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
D/B♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342

Explore More

Maria Maria in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to G (descending major third), G to A (ascending whole step), A to F (descending major third), F to B (ascending tritone), B to C# (ascending whole step), C# to C# (ascending unison), C# to A (descending major third), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to C (ascending minor third), C to E (ascending major third), E to E (ascending unison), E to C (descending major third), C to F# (ascending tritone), F# to F# (ascending unison), F# to G (ascending half step), G to D (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

mpb4/4 · 65 bars · Form: AB

Chords: E, B/A♭, G/A♭, A/A♭, F/A♭, B/G, C♯m7, C♯m7/E♭, Amaj7, D6, A/F, Cmaj7, Em7, E7sus4, C/A♭, F♯m7, F♯7sus4, G/B♭, D/B♭.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E