Do Re MiC D E

Maria Maria

Nascimento Milton4/4mpb
C♯/A♭
A/A♭
B/A♭
G/A♭
C♯/G
D♯m7/E♭
B/F
C♯/A♭
A/A♭
B/A♭
G/A♭
C♯/G
D♯m7/E♭
B/F
C♯/A♭
A/A♭
B/A♭
G/A♭
%
C♯/A♭
A/A♭
B/A♭
G/A♭
C♯/G
D♯m7/E♭
B/F
%
F♯7sus4
G/A♭
D/A♭
%
%
%
F♯7sus4
G/A♭
D/A♭
%
%
%
G♯7sus4
A/B♭
E/B♭
%
C♯/A♭
A/A♭
B/A♭
G/A♭
C♯/G
D♯m7/E♭
B/F
C♯/A♭
A/A♭
B/A♭
G/A♭
C♯/G
D♯m7/E♭
B/F

Chord Diagrams — Maria Maria in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯/A♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
A/A♭
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
B/A♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
G/A♭
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
C♯/G
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
D♯m7/E♭
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
E6
7frEADGBE3333x1
EADGBE2314
EADGBE11134
5frEADGBEx4231x
B/F
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
Dmaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
F♯7sus4
9frEADGBE111134
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
D/A♭
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
G♯m7
11frEADGBE111132
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
G♯7sus4
11frEADGBE111134
EADGBE1122xx
4frEADGBE111134
9frEADGBE11x234
A/B♭
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
E/B♭
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432

Explore More

Maria Maria in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to A (descending major third), A to B (ascending whole step), B to G (descending major third), G to C# (ascending tritone), C# to D# (ascending whole step), D# to D# (ascending unison), D# to B (descending major third), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to D (ascending minor third), D to F# (ascending major third), F# to F# (ascending unison), F# to D (descending major third), D to G# (ascending tritone), G# to G# (ascending unison), G# to A (ascending half step), A to E (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to F# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

mpb4/4 · 65 bars · Form: AB

Chords: F♯, C♯/A♭, A/A♭, B/A♭, G/A♭, C♯/G, D♯m7, D♯m7/E♭, Bmaj7, E6, B/F, Dmaj7, F♯m7, F♯7sus4, D/A♭, G♯m7, G♯7sus4, A/B♭, E/B♭.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#