Do Re MiC D E

Maria Maria

Nascimento Milton4/4mpb
D♯/A♭
B/A♭
C♯/A♭
A/A♭
D♯/G
Fm7/E♭
C♯/F
D♯/A♭
B/A♭
C♯/A♭
A/A♭
D♯/G
Fm7/E♭
C♯/F
D♯/A♭
B/A♭
C♯/A♭
A/A♭
%
D♯/A♭
B/A♭
C♯/A♭
A/A♭
D♯/G
Fm7/E♭
C♯/F
%
G♯7sus4
A/A♭
E/A♭
%
%
%
G♯7sus4
A/A♭
E/A♭
%
%
%
A♯7sus4
B/B♭
F♯/B♭
%
D♯/A♭
B/A♭
C♯/A♭
A/A♭
D♯/G
Fm7/E♭
C♯/F
D♯/A♭
B/A♭
C♯/A♭
A/A♭
D♯/G
Fm7/E♭
C♯/F

Chord Diagrams — Maria Maria in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D♯/A♭
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
B/A♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯/A♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
A/A♭
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
D♯/G
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
Fm7/E♭
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
C♯maj7
9frEADGBE1x342x
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
F♯6
9frEADGBE3333x1
EADGBE2x143x
EADGBE11x324
4frEADGBE111x34
C♯/F
9frEADGBE111342
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
E/A♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
A♯7sus4
6frEADGBE111134
EADGBE111x34
EADGBE1122xx
8frEADGBExx1324
B/B♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
F♯/B♭
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234

Explore More

Maria Maria in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to B (descending major third), B to C# (ascending whole step), C# to A (descending major third), A to D# (ascending tritone), D# to F (ascending whole step), F to F (ascending unison), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to G# (ascending major third), G# to G# (ascending unison), G# to E (descending major third), E to A# (ascending tritone), A# to A# (ascending unison), A# to B (ascending half step), B to F# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to G# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

mpb4/4 · 65 bars · Form: AB

Chords: G♯, D♯/A♭, B/A♭, C♯/A♭, A/A♭, D♯/G, Fm7, Fm7/E♭, C♯maj7, F♯6, C♯/F, Emaj7, G♯m7, G♯7sus4, E/A♭, A♯m7, A♯7sus4, B/B♭, F♯/B♭.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#