Do Re MiC D E

Jealous Guy

Lennon John4/4pop♩= 68
D♯7/D♯
G♯7/F
D♯7sus4
G♯sus4/F
B/A
G♯/F♯
Fm/D
D♯7/D♯
G♯7/F
D♯7sus4
G♯sus4/F
B/A
G♯/F♯
Fm/D
D♯7/D♯
G♯7/F
D♯7sus4
G♯sus4/F
B/A
G♯/F♯
Fm/D
D♯7/D♯
G♯7/F
D♯7sus4
G♯sus4/F
B/A
G♯/F♯
Fm/D
%

Chord Diagrams — Jealous Guy in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
D♯7/D♯
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Fm6
EADGBE1x234
3frEADGBE11xx32
6frEADGBE11x324
9frEADGBExx2314
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
G♯7/F
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
G♯sus4/F
EADGBE11xx24
4frEADGBE111234
6frEADGBE11x234
11frEADGBE111234
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
B/A
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
G♯/F♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
Fm/D
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx

Explore More

Jealous Guy in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F (descending minor third), F to D# (descending whole step), D# to D# (ascending unison), D# to D# (ascending unison), D# to F (ascending whole step), F to C# (descending major third), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to B (ascending unison), B to G# (descending minor third), G# to F (descending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 70 bars · Form: ABAB

Chords: G♯, Fm, D♯, D♯7, D♯7/D♯, Fm6, C♯, G♯7/F, D♯7sus4, G♯sus4/F, B, B/A, G♯/F♯, Fm/D.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#