Do Re MiC D E

Jealous Guy

Lennon John4/4pop♩= 68
G♯7/D♯
C♯7/F
G♯7sus4
C♯sus4/F
E/A
C♯/F♯
A♯m/D
G♯7/D♯
C♯7/F
G♯7sus4
C♯sus4/F
E/A
C♯/F♯
A♯m/D
%

Chord Diagrams — Jealous Guy in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
G♯7/D♯
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
A♯m6
6frEADGBE111234
EADGBEx13x24
3frEADGBEx2314x
5frEADGBE2x1334
F♯
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
C♯7/F
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
C♯sus4/F
4frEADGBE111234
EADGBEx3412x
6frEADGBE2x1114
9frEADGBE111234
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
E/A
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
C♯/F♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
A♯m/D
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342

Explore More

Jealous Guy in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to A# (descending minor third), A# to G# (descending whole step), G# to G# (ascending unison), G# to G# (ascending unison), G# to A# (ascending whole step), A# to F# (descending major third), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to E (ascending unison), E to C# (descending minor third), C# to A# (descending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C# by minor third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 70 bars · Form: ABAB

Chords: C♯, A♯m, G♯, G♯7, G♯7/D♯, A♯m6, F♯, C♯7/F, G♯7sus4, C♯sus4/F, E, E/A, C♯/F♯, A♯m/D.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#