Do Re MiC D E

Jealous Guy

Lennon John4/4pop♩= 68
F7/D♯
A♯7/F
F7sus4
A♯sus4/F
C♯/A
A♯/F♯
Gm/D
F7/D♯
A♯7/F
F7sus4
A♯sus4/F
C♯/A
A♯/F♯
Gm/D
F7/D♯
A♯7/F
F7sus4
A♯sus4/F
C♯/A
A♯/F♯
Gm/D
F7/D♯
A♯7/F
F7sus4
A♯sus4/F
C♯/A
A♯/F♯
Gm/D
%

Chord Diagrams — Jealous Guy in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
F7/D♯
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
Gm6
3frEADGBE111234
EADGBE2x1344
5frEADGBE111x32
8frEADGBE11x324
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
A♯7/F
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
F7sus4
6frEADGBE111234
EADGBE111134
8frEADGBE111134
10frEADGBE11xx34
A♯sus4/F
6frEADGBE111333
EADGBE11x234
3frEADGBE11xx24
8frEADGBE11x234
C♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
C♯/A
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
A♯/F♯
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Gm/D
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342

Explore More

Jealous Guy in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G (descending minor third), G to F (descending whole step), F to F (ascending unison), F to F (ascending unison), F to G (ascending whole step), G to D# (descending major third), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to C# (ascending unison), C# to A# (descending minor third), A# to G (descending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to A# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 70 bars · Form: ABAB

Chords: A♯, Gm, F, F7, F7/D♯, Gm6, D♯, A♯7/F, F7sus4, A♯sus4/F, C♯, C♯/A, A♯/F♯, Gm/D.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#