Do Re MiC D E

Jealous Guy

Lennon John4/4pop♩= 68
E7/D♯
A7/F
E7sus4
Asus4/F
C/A
A/F♯
F♯m/D
E7/D♯
A7/F
E7sus4
Asus4/F
C/A
A/F♯
F♯m/D
E7/D♯
A7/F
E7sus4
Asus4/F
C/A
A/F♯
F♯m/D
E7/D♯
A7/F
E7sus4
Asus4/F
C/A
A/F♯
F♯m/D
%

Chord Diagrams — Jealous Guy in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F♯m
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7/D♯
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
F♯m6
4frEADGBE111x32
EADGBE2x1334
7frEADGBE11x324
8frEADGBEx2413x
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
A7/F
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
Asus4/F
5frEADGBE111333
EADGBEx123
EADGBExx1
7frEADGBE11x234
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C/A
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
A/F♯
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F♯m/D
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342

Explore More

Jealous Guy in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F# (descending minor third), F# to E (descending whole step), E to E (ascending unison), E to E (ascending unison), E to F# (ascending whole step), F# to D (descending major third), D to A (descending perfect fourth), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to C (ascending minor third), C to C (ascending unison), C to A (descending minor third), A to F# (descending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 70 bars · Form: ABAB

Chords: A, F♯m, E, E7, E7/D♯, F♯m6, D, A7/F, E7sus4, Asus4/F, C, C/A, A/F♯, F♯m/D.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A