Do Re MiC D E

Jealous Guy

Lennon John4/4pop♩= 68
F♯7/D♯
B7/F
F♯7sus4
Bsus4/F
D/A
B/F♯
G♯m/D
F♯7/D♯
B7/F
F♯7sus4
Bsus4/F
D/A
B/F♯
G♯m/D
F♯7/D♯
B7/F
F♯7sus4
Bsus4/F
D/A
B/F♯
G♯m/D
F♯7/D♯
B7/F
F♯7sus4
Bsus4/F
D/A
B/F♯
G♯m/D
%

Chord Diagrams — Jealous Guy in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
F♯7/D♯
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
G♯m6
4frEADGBE111234
EADGBE2x134x
6frEADGBE111x32
9frEADGBE11x324
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
B7/F
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
Bsus4/F
4frEADGBE11xx24
2frEADGBE111234
7frEADGBE111234
9frEADGBE1144x3
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D/A
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
B/F♯
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
G♯m/D
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342

Explore More

Jealous Guy in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to G# (descending minor third), G# to F# (descending whole step), F# to F# (ascending unison), F# to F# (ascending unison), F# to G# (ascending whole step), G# to E (descending major third), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to D (ascending minor third), D to D (ascending unison), D to B (descending minor third), B to G# (descending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to B by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 70 bars · Form: ABAB

Chords: B, G♯m, F♯, F♯7, F♯7/D♯, G♯m6, E, B7/F, F♯7sus4, Bsus4/F, D, D/A, B/F♯, G♯m/D.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B