Look To The Sky in E

Antonio Carlos Jobim(1967)bossa-novaMedium-Slow Bossa Nova
Do Re MiC D E
A
B
Emaj9
Fmaj9♯11
Emaj9
Gmaj9
Fmaj9♯11
Emaj9
Emaj9
Emaj9
Em69
Emaj9
Emaj9
D9sus
B7♯5♭9
Emaj9
Emaj9
Em69
Emaj9
Emaj9
D9sus
Gmaj9
Fmaj9♯11
Emaj9
B13♭9

Chord Diagrams — Look To The Sky in E (Guitar)

Display
FingerNoteDegree
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
D6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
Fmaj9♯11
F - A - C - E - G - B
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
Em69
EADGBE1111
EADGBE1112x35frEADGBE333x1210frEADGBE1234
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
D7♭9
2frEADGBExx431
4frEADGBE11x2345frEADGBE11x248frEADGBE3241xx
Gdim
EADGBE31x42x
5frEADGBExx12x38frEADGBEx12x3210frEADGBEx1243x
B7♯5♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
B13♭9
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234

Look To The Sky in E

Look To The Sky in E — Antonio Carlos Jobim's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: Emaj9 – D6 – C#7b9 – F#m9 – Fmaj9#11 – Am7 – D9 – Gmaj9 – Em9 – Em69 – G#m7 – D9sus – D7b9 – Gdim – B7#5b9 – B13b9.

Look To The Sky in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to F (descending half step), F to A (ascending major third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to E (descending minor third), E to E (ascending unison), E to G# (ascending major third), G# to D (ascending tritone), D to D (ascending unison), D to G (ascending perfect fourth), G to B (ascending major third), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 41 bars · Form: AB

Chords: Emaj9, D6, C♯7♭9, F♯m9, Fmaj9♯11, Am7, D9, Gmaj9, Em9, Em69, G♯m7, D9sus, D7♭9, Gdim, B7♯5♭9, B13♭9.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E