Look To The Sky in D

Antonio Carlos Jobim(1967)bossa-novaMedium-Slow Bossa Nova
Do Re MiC D E
A
B
Dmaj9
D♯maj9♯11
Dmaj9
Fmaj9
D♯maj9♯11
Dmaj9
Dmaj9
Dmaj9
Dm69
Dmaj9
Dmaj9
C9sus
A7♯5♭9
Dmaj9
Dmaj9
Dm69
Dmaj9
Dmaj9
C9sus
Fmaj9
D♯maj9♯11
Dmaj9
A13♭9

Chord Diagrams — Look To The Sky in D (Guitar)

Display
FingerNoteDegree
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
C6
EADGBEx4231
3frEADGBE3333x17frEADGBE2x143x8frEADGBE11x324
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
D♯maj9♯11
D♯ - G - A♯ - D - F - A
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
Fmaj9
EADGBE132
EADGBExx23147frEADGBEx2143x10frEADGBE11xx34
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
Dm69
2frEADGBEx421
3frEADGBEx31246frEADGBEx231410frEADGBE2222x1
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
Fdim
EADGBExx12x3
6frEADGBEx41x238frEADGBEx1243x11frEADGBE31x42x
A7♯5♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234
A13♭9
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213

Look To The Sky in D

Look To The Sky in D — Antonio Carlos Jobim's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: Dmaj9 – C6 – B7b9 – Em9 – D#maj9#11 – Gm7 – C9 – Fmaj9 – Dm9 – Dm69 – F#m7 – C9sus – C7b9 – Fdim – A7#5b9 – A13b9.

Look To The Sky in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to C (descending whole step), C to B (descending half step), B to E (ascending perfect fourth), E to D# (descending half step), D# to G (ascending major third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to D (ascending unison), D to F# (ascending major third), F# to C (ascending tritone), C to C (ascending unison), C to F (ascending perfect fourth), F to A (ascending major third), A to A (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 41 bars · Form: AB

Chords: Dmaj9, C6, B7♭9, Em9, D♯maj9♯11, Gm7, C9, Fmaj9, Dm9, Dm69, F♯m7, C9sus, C7♭9, Fdim, A7♯5♭9, A13♭9.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D