Do Re MiC D E

Look To The Sky

Antonio Carlos Jobim(1967)4/4bossa-novaMedium-Slow Bossa Nova
Amaj9
%
Am6/9
Amaj9
%
%
G9sus
Cmaj9
A♯maj9
Amaj9
E13♭9

Chord Diagrams — Look To The Sky in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Amaj9
4frEADGBE11243
EADGBE11x34
5frEADGBEx2314
11frEADGBE22143x
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
Am6/9
5frEADGBE112234
4frEADGBEx24
7frEADGBE11123
10frEADGBEx31244
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
G9sus
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
G7♭9
EADGBE111x23
EADGBE11324
4frEADGBE11xx23
9frEADGBE11x234
Cdim
3frEADGBEx1243x
EADGBEx41x23
6frEADGBE31x42x
10frEADGBExx12x3
E7♭9
4frEADGBE1134
EADGBE312
6frEADGBE11x234
10frEADGBE3241xx
Cmaj9
5frEADGBE11113
EADGBEx3
EADGBE22143x
8frEADGBE11x234
A♯maj9
5frEADGBE11243x
EADGBE1113x
3frEADGBE111143
6frEADGBE112234
E13♭9
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134

Explore More

Look To The Sky in A

Look To The Sky in A — Antonio Carlos Jobim's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: Amaj9 – Am9 – Am6/9 – C#m7 – F#7b9 – Bm9 – G9sus – G7b9 – Cdim – E7b9 – Cmaj9 – A#maj9 – E13b9.

Look To The Sky in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to A (ascending unison), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G (descending major third), G to G (ascending unison), G to C (ascending perfect fourth), C to E (ascending major third), E to C (descending major third), C to A# (descending whole step), A# to E (ascending tritone). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AB

Chords: Amaj9, Am9, Am6/9, C♯m7, F♯7♭9, Bm9, G9sus, G7♭9, Cdim, E7♭9, Cmaj9, A♯maj9, E13♭9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A