Look To The Sky in A

Antonio Carlos Jobim(1967)bossa-novaMedium-Slow Bossa Nova
Do Re MiC D E
A
B
Amaj9
A♯maj9♯11
Amaj9
Cmaj9
A♯maj9♯11
Amaj9
Amaj9
Amaj9
Am69
Amaj9
Amaj9
G9sus
E7♯5♭9
Amaj9
Amaj9
Am69
Amaj9
Amaj9
G9sus
Cmaj9
A♯maj9♯11
Amaj9
E13♭9

Chord Diagrams — Look To The Sky in A (Guitar)

Display
FingerNoteDegree
Amaj9
EADGBE11x34
4frEADGBE112435frEADGBEx231411frEADGBE22214x
G6
EADGBE21
EADGBE2x143x5frEADGBE111x3410frEADGBE3333x1
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
A♯maj9♯11
A♯ - D - F - A - C - E
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
Am69
4frEADGBEx24
5frEADGBE1122227frEADGBE1112310frEADGBE333x12
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
G9sus
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234
Cdim
EADGBEx41x23
3frEADGBEx1243x6frEADGBE31x42x10frEADGBExx12x3
E7♯5♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
E13♭9
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134

Look To The Sky in A

Look To The Sky in A — Antonio Carlos Jobim's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: Amaj9 – G6 – F#7b9 – Bm9 – A#maj9#11 – Dm7 – G9 – Cmaj9 – Am9 – Am69 – C#m7 – G9sus – G7b9 – Cdim – E7#5b9 – E13b9.

Look To The Sky in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to F# (descending half step), F# to B (ascending perfect fourth), B to A# (descending half step), A# to D (ascending major third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A (descending minor third), A to A (ascending unison), A to C# (ascending major third), C# to G (ascending tritone), G to G (ascending unison), G to C (ascending perfect fourth), C to E (ascending major third), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 41 bars · Form: AB

Chords: Amaj9, G6, F♯7♭9, Bm9, A♯maj9♯11, Dm7, G9, Cmaj9, Am9, Am69, C♯m7, G9sus, G7♭9, Cdim, E7♯5♭9, E13♭9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A