Look To The Sky in C

Antonio Carlos Jobim(1967)bossa-novaMedium-Slow Bossa Nova
Do Re MiC D E
A
B
Cmaj9
C♯maj9♯11
Cmaj9
D♯maj9
C♯maj9♯11
Cmaj9
Cmaj9
Cmaj9
Cm69
Cmaj9
Cmaj9
A♯9sus
G7♯5♭9
Cmaj9
Cmaj9
Cm69
Cmaj9
Cmaj9
A♯9sus
D♯maj9
C♯maj9♯11
Cmaj9
G13♭9

Chord Diagrams — Look To The Sky in C (Guitar)

Display
FingerNoteDegree
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
A♯6
EADGBE3333x1
5frEADGBE21346frEADGBE113x2410frEADGBEx4231x
A7♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
C♯maj9♯11
C♯ - F - G♯ - C - D♯ - G
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x8frEADGBE1111x411frEADGBExx2314
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134
Cm69
EADGBE333x12
3frEADGBEx1246frEADGBE4123xx8frEADGBE2222x1
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A♯9sus
EADGBE111x34
EADGBE1122xx6frEADGBE1111348frEADGBExx1324
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
D♯dim
EADGBExx12x3
4frEADGBEx41x236frEADGBEx1243x9frEADGBE31x42x
G7♯5♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234
G13♭9
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14

Look To The Sky in C

Look To The Sky in C — Antonio Carlos Jobim's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: Cmaj9 – A#6 – A7b9 – Dm9 – C#maj9#11 – Fm7 – A#9 – D#maj9 – Cm9 – Cm69 – Em7 – A#9sus – A#7b9 – D#dim – G7#5b9 – G13b9.

Look To The Sky in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to A# (descending whole step), A# to A (descending half step), A to D (ascending perfect fourth), D to C# (descending half step), C# to F (ascending major third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to C (ascending unison), C to E (ascending major third), E to A# (ascending tritone), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G (ascending major third), G to G (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 41 bars · Form: AB

Chords: Cmaj9, A♯6, A7♭9, Dm9, C♯maj9♯11, Fm7, A♯9, D♯maj9, Cm9, Cm69, Em7, A♯9sus, A♯7♭9, D♯dim, G7♯5♭9, G13♭9.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C