Do Re MiC D E

Look To The Sky

Antonio Carlos Jobim(1967)4/4bossa-novaMedium-Slow Bossa Nova
F♯maj9
%
F♯m6/9
F♯maj9
%
%
E9sus
Amaj9
Gmaj9
F♯maj9
C♯13♭9

Chord Diagrams — Look To The Sky in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
F♯m6/9
EADGBE122134
EADGBE11234
4frEADGBE111123
7frEADGBEx3124x
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7♭9
EADGBExx24
5frEADGBE11x234
6frEADGBE11x34
9frEADGBE3241xx
G♯m9
EADGBE11143
4frEADGBE111134
7frEADGBE221341
9frEADGBEx21344
E9sus
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
E7♭9
EADGBE312
4frEADGBE1134
6frEADGBE11x234
10frEADGBE3241xx
Adim
EADGBEx132x
3frEADGBE31x42x
7frEADGBExx12x3
10frEADGBEx41x23
C♯7♭9
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
Amaj9
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x
Gmaj9
EADGBE111243
EADGBE21
3frEADGBExx2314
9frEADGBEx2143x
C♯13♭9
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234

Explore More

Look To The Sky in F#

Look To The Sky in F# — Antonio Carlos Jobim's bossa nova classic. Explore Bebop Major and Lydian scales over these sophisticated changes. Chords: F#maj9 – F#m9 – F#m6/9 – A#m7 – D#7b9 – G#m9 – E9sus – E7b9 – Adim – C#7b9 – Amaj9 – Gmaj9 – C#13b9.

Look To The Sky in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to F# (ascending unison), F# to A# (ascending major third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to E (descending major third), E to E (ascending unison), E to A (ascending perfect fourth), A to C# (ascending major third), C# to A (descending major third), A to G (descending whole step), G to C# (ascending tritone). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AB

Chords: F♯maj9, F♯m9, F♯m6/9, A♯m7, D♯7♭9, G♯m9, E9sus, E7♭9, Adim, C♯7♭9, Amaj9, Gmaj9, C♯13♭9.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#