Round Midnight in C

Thelonius Monk / Bernie Hanighen(1943)swing
Do Re MiC D E
A
B

Chord Diagrams — Round Midnight in C (Guitar)

Display
FingerNoteDegree
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Cm/B
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Cm/A♯
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Am7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
E7♯9
EADGBE214
3frEADGBE3126frEADGBEx2134x9frEADGBE11123
F7♭5
EADGBE1243
3frEADGBExx12346frEADGBExx24138frEADGBE11x23x
G♯7♭5
3frEADGBE2x341x
6frEADGBExx12349frEADGBE11x24311frEADGBE11x23x
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
D7♯9
4frEADGBEx2134x
7frEADGBE4127frEADGBE111x2310frEADGBE111324
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
Dm7/G
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
D7♭5
EADGBE11xx2
3frEADGBExx24135frEADGBE11x23x9frEADGBE2x341x
Fm/D♯
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
G7♯9
EADGBE3241
3frEADGBE1144324frEADGBE44x2319frEADGBEx2134x
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134

Round Midnight in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to C (ascending unison), C to A (descending minor third), A to F (descending major third), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to E (ascending half step), E to F (ascending half step), F to G# (ascending minor third), G# to G (descending half step), G to D (descending perfect fourth), D to D (ascending unison), D to D (ascending unison), D to C (descending whole step), C to D (ascending whole step), D to F (ascending minor third), F to G (ascending whole step), G to G (ascending unison), G to D# (descending major third), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: Cm, Cm/B, Cm/A♯, Am7♭5, Fm, A♯7, F7, G♯m7, C♯7, Gm7, C7, D♯, E7♯9, F7♭5, G♯7♭5, G7, D7♯9, Dm7♭5, Dm7/G, C, D7♭5, Fm/D♯, G7♯9, Gm, D♯m, G♯7.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C