Round Midnight in D#

Thelonius Monk / Bernie Hanighen(1943)swing
Do Re MiC D E
A
B

Chord Diagrams — Round Midnight in D# (Guitar)

Display
FingerNoteDegree
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
D♯m/D
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
D♯m/C♯
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
G7♯9
EADGBE3241
3frEADGBE1144324frEADGBE44x2319frEADGBEx2134x
G♯7♭5
3frEADGBE2x341x
6frEADGBExx12349frEADGBE11x24311frEADGBE11x23x
B7♭5
EADGBEx3142
EADGBEx1213x6frEADGBE2x341x9frEADGBExx1234
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
F7♯9
EADGBE111324
EADGBExx21347frEADGBEx2134x10frEADGBE111x23
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
Fm7/A♯
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
F7♭5
EADGBE1243
3frEADGBExx12346frEADGBExx24138frEADGBE11x23x
G♯m/F♯
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
A♯7♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132

Round Midnight in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to D# (ascending unison), D# to C (descending minor third), C to G# (descending major third), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to G (ascending half step), G to G# (ascending half step), G# to B (ascending minor third), B to A# (descending half step), A# to F (descending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to D# (descending whole step), D# to F (ascending whole step), F to G# (ascending minor third), G# to A# (ascending whole step), A# to A# (ascending unison), A# to F# (descending major third), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to D# by major third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: D♯m, D♯m/D, D♯m/C♯, Cm7♭5, G♯m, C♯7, G♯7, Bm7, E7, A♯m7, D♯7, F♯, G7♯9, G♯7♭5, B7♭5, A♯7, F7♯9, Fm7♭5, Fm7/A♯, D♯, F7♭5, G♯m/F♯, A♯7♯9, A♯m, F♯m, B7.

Scales for Improvisation D# bebop minor, D# bebop.

Diatonic chords: See all chords in the key of D#