Round Midnight in C#

Thelonius Monk / Bernie Hanighen(1943)swing
Do Re MiC D E
A
B

Chord Diagrams — Round Midnight in C# (Guitar)

Display
FingerNoteDegree
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
C♯m/C
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
C♯m/B
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
F7♯9
EADGBE111324
EADGBExx21347frEADGBEx2134x10frEADGBE111x23
F♯7♭5
EADGBE2x341x
4frEADGBExx12347frEADGBE11x2439frEADGBE11x23
A7♭5
EADGBEx1234
4frEADGBEx24137frEADGBExx123410frEADGBE11x243
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
D♯m7/G♯
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
D♯7♭5
EADGBExx1234
4frEADGBExx24136frEADGBE111x2310frEADGBE2x341x
F♯m/E
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
G♯7♯9
EADGBE222221
4frEADGBE1144325frEADGBE44xx3110frEADGBEx2134x
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324

Round Midnight in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to C# (ascending unison), C# to A# (descending minor third), A# to F# (descending major third), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to A (ascending minor third), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to F (ascending half step), F to F# (ascending half step), F# to A (ascending minor third), A to G# (descending half step), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to D# (ascending unison), D# to C# (descending whole step), C# to D# (ascending whole step), D# to F# (ascending minor third), F# to G# (ascending whole step), G# to G# (ascending unison), G# to E (descending major third), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to C# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: C♯m, C♯m/C, C♯m/B, A♯m7♭5, F♯m, B7, F♯7, Am7, D7, G♯m7, C♯7, E, F7♯9, F♯7♭5, A7♭5, G♯7, D♯7♯9, D♯m7♭5, D♯m7/G♯, C♯, D♯7♭5, F♯m/E, G♯7♯9, G♯m, Em, A7.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#