Round Midnight in B

Thelonius Monk / Bernie Hanighen(1943)swing
Do Re MiC D E
A
B

Chord Diagrams — Round Midnight in B (Guitar)

Display
FingerNoteDegree
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Bm/A♯
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Bm/A
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
E7♭5
EADGBE124
EADGBExx12345frEADGBExx24137frEADGBE11x23x
G7♭5
EADGBE2x341x
5frEADGBExx12349frEADGBEx314210frEADGBE11x23x
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
C♯7♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
C♯m7/F♯
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
C♯7♭5
EADGBEx431
4frEADGBE11x23x8frEADGBE2x341x12frEADGBExx1234
Em/D
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
F♯7♯9
EADGBE222221
2frEADGBE1113243frEADGBExx21348frEADGBEx2134x
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134

Round Midnight in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to B (ascending unison), B to G# (descending minor third), G# to E (descending major third), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to G (ascending minor third), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to D (ascending minor third), D to D# (ascending half step), D# to E (ascending half step), E to G (ascending minor third), G to F# (descending half step), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to B (descending whole step), B to C# (ascending whole step), C# to E (ascending minor third), E to F# (ascending whole step), F# to F# (ascending unison), F# to D (descending major third), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to B by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: Bm, Bm/A♯, Bm/A, G♯m7♭5, Em, A7, E7, Gm7, C7, F♯m7, B7, D, D♯7♯9, E7♭5, G7♭5, F♯7, C♯7♯9, C♯m7♭5, C♯m7/F♯, B, C♯7♭5, Em/D, F♯7♯9, F♯m, Dm, G7.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B