Round Midnight in E

Thelonius Monk / Bernie Hanighen(1943)swing
Do Re MiC D E
A
B

Chord Diagrams — Round Midnight in E (Guitar)

Display
FingerNoteDegree
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Em/D♯
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Em/D
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
G♯7♯9
EADGBE222221
4frEADGBE1144325frEADGBE44xx3110frEADGBEx2134x
A7♭5
EADGBEx1234
4frEADGBEx24137frEADGBExx123410frEADGBE11x243
C7♭5
EADGBExx2413
3frEADGBE11x23x7frEADGBE2x34110frEADGBExx1234
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
F♯7♯9
EADGBE222221
2frEADGBE1113243frEADGBExx21348frEADGBEx2134x
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
F♯m7/B
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
F♯7♭5
EADGBE2x341x
4frEADGBExx12347frEADGBE11x2439frEADGBE11x23
Am/G
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
B7♯9
EADGBEx2134x
5frEADGBE32417frEADGBE1144328frEADGBExx2134
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132

Round Midnight in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to E (ascending unison), E to C# (descending minor third), C# to A (descending major third), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to C (ascending minor third), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth), E to G (ascending minor third), G to G# (ascending half step), G# to A (ascending half step), A to C (ascending minor third), C to B (descending half step), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to F# (ascending unison), F# to E (descending whole step), E to F# (ascending whole step), F# to A (ascending minor third), A to B (ascending whole step), B to B (ascending unison), B to G (descending major third), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to E by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: Em, Em/D♯, Em/D, C♯m7♭5, Am, D7, A7, Cm7, F7, Bm7, E7, G, G♯7♯9, A7♭5, C7♭5, B7, F♯7♯9, F♯m7♭5, F♯m7/B, E, F♯7♭5, Am/G, B7♯9, Bm, Gm, C7.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E