Do Re MiC D E

Questar

Jarrett Keith4/4even-8ths
Amaj7/B♭
C♯maj7/B♭
G♯69
Amaj7/B♭
A♯/B
Amaj7/B♭
C♯maj7/B♭
G♯69
Amaj7/B♭
A♯/B
%
C♯maj7/B♭
D♯/B♭
C♯maj7/B♭
Amaj7/B♭
A♯/B♭
Amaj7/B♭
Emaj7♯5
B/D
F9sus4
D/G
A/G
F9sus4
F9sus4
F♯maj7♯11/G
%
G♯maj7♯11
F7sus4
%

Chord Diagrams — Questar in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Amaj7/B♭
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
C♯maj7/B♭
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
G♯69
5frEADGBExx2134
EADGBE11111x
EADGBE111234
10frEADGBE11x234
A♯/B
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
G♯dim7
6frEADGBExx1324
EADGBExx12
EADGBE112x34
10frEADGBE111234
D♯/B♭
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A♯/B♭
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Emaj7♯5
4frEADGBE111432
EADGBE44321
7frEADGBEx1423x
9frEADGBE11324
Dm7♭5
5frEADGBEx1324x
EADGBE111xx
3frEADGBE11x342
8frEADGBEx1432
B/D
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
F9sus4
F - B♭ - C - E♭ - G
D/G
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
A/G
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F♯maj7♯11/G
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
G♯maj7♯11
4frEADGBE111234
EADGBE111123
8frEADGBE11x423
11frEADGBE11x234
F7sus4
6frEADGBE111234
EADGBE111134
8frEADGBE111134
10frEADGBE11xx34

Explore More

Questar in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A (ascending half step), A to C# (ascending major third), C# to G# (descending perfect fourth), G# to A# (ascending whole step), A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to G (descending minor third), G to F# (descending half step), F# to F (descending half step), F to E (descending half step), E to D (descending whole step), D to B (descending minor third), B to F# (descending perfect fourth), F# to F (descending half step), F to D (descending minor third), D to A (descending perfect fourth), A to F# (descending minor third), F# to G# (ascending whole step), G# to F (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 39 bars · Form: AB

Chords: G♯maj7, Amaj7/B♭, C♯maj7/B♭, G♯69, A♯/B, G♯dim7, D♯/B♭, A♯/B♭, Gm7, F♯7, Fm7, Emaj7♯5, Dm7♭5, B/D, F♯maj7, F9sus4, D/G, A/G, F♯maj7♯11/G, G♯maj7♯11, F7sus4.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#