Do Re MiC D E

Questar

Jarrett Keith4/4even-8ths
Cmaj7/B♭
Emaj7/B♭
B69
Cmaj7/B♭
C♯/B
Cmaj7/B♭
Emaj7/B♭
B69
Cmaj7/B♭
C♯/B
%
Emaj7/B♭
F♯/B♭
Emaj7/B♭
Cmaj7/B♭
C♯/B♭
Cmaj7/B♭
Gmaj7♯5
D/D
G♯9sus4
F/G
C/G
G♯9sus4
G♯9sus4
Amaj7♯11/G
%
Bmaj7♯11
G♯7sus4
%

Chord Diagrams — Questar in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Cmaj7/B♭
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
Emaj7/B♭
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
B69
EADGBE11x234
6frEADGBE111234
8frEADGBEx22134
11frEADGBE11x432
C♯/B
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
Bdim7
EADGBE11x234
EADGBExx1324
6frEADGBE3x142x
7frEADGBE111234
F♯/B♭
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
C♯/B♭
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Gmaj7♯5
EADGBE1x234x
EADGBExx13
7frEADGBE111432
10frEADGBEx1423x
Fm7♭5
EADGBE222xx1
EADGBE1x23x
8frEADGBEx1324x
11frEADGBE2134x
D/D
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
Amaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
G♯9sus4
G♯ - C♯ - D♯ - F♯ - A♯
F/G
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
C/G
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Amaj7♯11/G
EADGBEx2134
4frEADGBE111123
6frEADGBE11x34
9frEADGBE11x423
Bmaj7♯11
EADGBE11x234
6frEADGBE111123
7frEADGBE111234
11frEADGBE11x423
G♯7sus4
EADGBE1122xx
4frEADGBE111134
9frEADGBE11x234
11frEADGBE111134

Explore More

Questar in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C (ascending half step), C to E (ascending major third), E to B (descending perfect fourth), B to C# (ascending whole step), C# to B (descending whole step), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to A# (descending minor third), A# to A (descending half step), A to G# (descending half step), G# to G (descending half step), G to F (descending whole step), F to D (descending minor third), D to A (descending perfect fourth), A to G# (descending half step), G# to F (descending minor third), F to C (descending perfect fourth), C to A (descending minor third), A to B (ascending whole step), B to G# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to B by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 39 bars · Form: AB

Chords: Bmaj7, Cmaj7/B♭, Emaj7/B♭, B69, C♯/B, Bdim7, F♯/B♭, C♯/B♭, A♯m7, A7, G♯m7, Gmaj7♯5, Fm7♭5, D/D, Amaj7, G♯9sus4, F/G, C/G, Amaj7♯11/G, Bmaj7♯11, G♯7sus4.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B