Do Re MiC D E

Questar

Jarrett Keith4/4even-8ths
A♯maj7/B♭
Dmaj7/B♭
A69
A♯maj7/B♭
B/B
A♯maj7/B♭
Dmaj7/B♭
A69
A♯maj7/B♭
B/B
%
Dmaj7/B♭
E/B♭
Dmaj7/B♭
A♯maj7/B♭
B/B♭
A♯maj7/B♭
Fmaj7♯5
C/D
F♯9sus4
D♯/G
A♯/G
F♯9sus4
F♯9sus4
Gmaj7♯11/G
%
Amaj7♯11
F♯7sus4
%

Chord Diagrams — Questar in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
A♯maj7/B♭
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
Dmaj7/B♭
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
A69
6frEADGBEx22134
EADGBE11x34
4frEADGBE111234
11frEADGBE11x234
B/B
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
Adim7
7frEADGBE11x34
EADGBEx1324
4frEADGBE112x3x
5frEADGBE111234
E/B♭
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
B/B♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Fmaj7♯5
5frEADGBE111432
EADGBE1234
8frEADGBEx1423x
12frEADGBExx4231
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
C/D
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
F♯9sus4
F♯ - B - C♯ - E - G♯
D♯/G
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A♯/G
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Gmaj7♯11/G
7frEADGBE11x423
EADGBE111133
3frEADGBE111234
10frEADGBE11x234
Amaj7♯11
6frEADGBE11x34
EADGBEx2134
4frEADGBE111123
9frEADGBE11x423
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134

Explore More

Questar in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A# (ascending half step), A# to D (ascending major third), D to A (descending perfect fourth), A to B (ascending whole step), B to A (descending whole step), A to E (descending perfect fourth), E to B (descending perfect fourth), B to G# (descending minor third), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to D# (descending whole step), D# to C (descending minor third), C to G (descending perfect fourth), G to F# (descending half step), F# to D# (descending minor third), D# to A# (descending perfect fourth), A# to G (descending minor third), G to A (ascending whole step), A to F# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 39 bars · Form: AB

Chords: Amaj7, A♯maj7/B♭, Dmaj7/B♭, A69, B/B, Adim7, E/B♭, B/B♭, G♯m7, G7, F♯m7, Fmaj7♯5, D♯m7♭5, C/D, Gmaj7, F♯9sus4, D♯/G, A♯/G, Gmaj7♯11/G, Amaj7♯11, F♯7sus4.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A