Do Re MiC D E

Questar

Jarrett Keith4/4even-8ths
Gmaj7/B♭
Bmaj7/B♭
F♯69
Gmaj7/B♭
G♯/B
Gmaj7/B♭
Bmaj7/B♭
F♯69
Gmaj7/B♭
G♯/B
%
Bmaj7/B♭
C♯/B♭
Bmaj7/B♭
Gmaj7/B♭
G♯/B♭
Gmaj7/B♭
Dmaj7♯5
A/D
D♯9sus4
C/G
G/G
D♯9sus4
D♯9sus4
Emaj7♯11/G
%
F♯maj7♯11
D♯7sus4
%

Chord Diagrams — Questar in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Gmaj7/B♭
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
Bmaj7/B♭
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
F♯69
8frEADGBE11x234
EADGBE111234
EADGBExx2134
6frEADGBE1111x2
G♯/B
8frEADGBE111432
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
F♯dim7
8frEADGBE111234
EADGBE112x3x
EADGBE111234
4frEADGBExx1324
C♯/B♭
9frEADGBE111342
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
G♯/B♭
8frEADGBE111432
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
E7
9frEADGBE111xx2
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
Dmaj7♯5
5frEADGBEx1243
EADGBExx423
2frEADGBE111432
9frEADGBExx231
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
A/D
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
D♯9sus4
D♯ - G♯ - A♯ - C♯ - F
C/G
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
G/G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Emaj7♯11/G
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
F♯maj7♯11
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
D♯7sus4
4frEADGBE11x234
EADGBExx1324
6frEADGBE111134
11frEADGBE111134

Explore More

Questar in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G (ascending half step), G to B (ascending major third), B to F# (descending perfect fourth), F# to G# (ascending whole step), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to F (descending minor third), F to E (descending half step), E to D# (descending half step), D# to D (descending half step), D to C (descending whole step), C to A (descending minor third), A to E (descending perfect fourth), E to D# (descending half step), D# to C (descending minor third), C to G (descending perfect fourth), G to E (descending minor third), E to F# (ascending whole step), F# to D# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to F# by minor third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 39 bars · Form: AB

Chords: F♯maj7, Gmaj7/B♭, Bmaj7/B♭, F♯69, G♯/B, F♯dim7, C♯/B♭, G♯/B♭, Fm7, E7, D♯m7, Dmaj7♯5, Cm7♭5, A/D, Emaj7, D♯9sus4, C/G, G/G, Emaj7♯11/G, F♯maj7♯11, D♯7sus4.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#