Do Re MiC D E

Questar

Jarrett Keith4/4even-8ths
Dmaj7/B♭
F♯maj7/B♭
C♯69
Dmaj7/B♭
D♯/B
Dmaj7/B♭
F♯maj7/B♭
C♯69
Dmaj7/B♭
D♯/B
%
F♯maj7/B♭
G♯/B♭
F♯maj7/B♭
Dmaj7/B♭
D♯/B♭
Dmaj7/B♭
Amaj7♯5
E/D
A♯9sus4
G/G
D/G
A♯9sus4
A♯9sus4
Bmaj7♯11/G
%
C♯maj7♯11
A♯7sus4
%

Chord Diagrams — Questar in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
Dmaj7/B♭
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
F♯maj7/B♭
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
C♯69
EADGBE11x234
EADGBE11x432
8frEADGBE111234
10frEADGBExx2134
D♯/B
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
C♯dim7
3frEADGBE11x234
EADGBExx1324
8frEADGBE112x3x
11frEADGBExx1324
G♯/B♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D♯/B♭
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Amaj7♯5
EADGBE11x23
EADGBE11x32
5frEADGBEx2341
9frEADGBE432
Gm7♭5
EADGBE2x341x
EADGBE3xx421
5frEADGBE222xx1
10frEADGBEx1324x
E/D
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
A♯9sus4
A♯ - D♯ - F - G♯ - C
G/G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
D/G
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
Bmaj7♯11/G
EADGBE11x234
6frEADGBE111123
7frEADGBE111234
11frEADGBE11x423
C♯maj7♯11
EADGBEx42311
4frEADGBE11x234
8frEADGBE111123
9frEADGBE111234
A♯7sus4
EADGBE111x34
EADGBE1122xx
6frEADGBE111134
8frEADGBExx1324

Explore More

Questar in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to D (ascending half step), D to F# (ascending major third), F# to C# (descending perfect fourth), C# to D# (ascending whole step), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to C (descending minor third), C to B (descending half step), B to A# (descending half step), A# to A (descending half step), A to G (descending whole step), G to E (descending minor third), E to B (descending perfect fourth), B to A# (descending half step), A# to G (descending minor third), G to D (descending perfect fourth), D to B (descending minor third), B to C# (ascending whole step), C# to A# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C# by minor third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 39 bars · Form: AB

Chords: C♯maj7, Dmaj7/B♭, F♯maj7/B♭, C♯69, D♯/B, C♯dim7, G♯/B♭, D♯/B♭, Cm7, B7, A♯m7, Amaj7♯5, Gm7♭5, E/D, Bmaj7, A♯9sus4, G/G, D/G, Bmaj7♯11/G, C♯maj7♯11, A♯7sus4.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#