One By One in G#

Wayne Shorter()swingShuffle
Do Re MiC D E
A
A
B
A
D♯7♯5♯9
Emaj9
C♯m11
Bmaj9
B7/f
D♯7♯5♯9
G♯m11
D♯7♯5♯9
Emaj9
C♯m11
Bmaj9
B7/f
D♯7♯5♯9
G♯m11
A♯7♯5♯9
A♯7♯5♯9
B7/f
D♯7♯5♯9
G♯m11
D♯7♯5♯9
Emaj9
C♯m11
Bmaj9
B7/f
D♯7♯5♯9
G♯m11

Chord Diagrams — One By One in G# (Guitar)

Display
FingerNoteDegree
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
D♯7♯5♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
C♯m11
EADGBE111x23
7frEADGBE1113429frEADGBE11111411frEADGBE11xx23
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
Bmaj9
EADGBE22214x
4frEADGBE11xx346frEADGBE11243x8frEADGBExx2143
B7/f
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
G♯m11
EADGBE111342
4frEADGBE1111146frEADGBE11xx239frEADGBE11x334
F7♯9
EADGBE111324
EADGBExx21347frEADGBEx2134x10frEADGBE111x23
A♯7♯5♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1

One By One in G#

One By One in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to G# (descending half step), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to F (ascending tritone), F to G# (ascending minor third), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: A♯m7♭5, D♯7♯5♯9, A7, G♯m7, F♯m7, B7, Emaj9, C♯m11, F♯9, Bmaj9, B7/f, Fm7♭5, G♯m11, F7♯9, A♯7♯5♯9, D♯m7, Cm7♭5.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#