One By One in F#

Wayne Shorter()swingShuffle
Do Re MiC D E
A
A
B
A
C♯7♯5♯9
Dmaj9
Bm11
Amaj9
A7/f
C♯7♯5♯9
F♯m11
C♯7♯5♯9
Dmaj9
Bm11
Amaj9
A7/f
C♯7♯5♯9
F♯m11
G♯7♯5♯9
G♯7♯5♯9
A7/f
C♯7♯5♯9
F♯m11
C♯7♯5♯9
Dmaj9
Bm11
Amaj9
A7/f
C♯7♯5♯9
F♯m11

Chord Diagrams — One By One in F# (Guitar)

Display
FingerNoteDegree
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
C♯7♯5♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
Amaj9
EADGBE11x34
4frEADGBE112435frEADGBEx231411frEADGBE22214x
A7/f
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
F♯m11
EADGBE231
EADGBE1111144frEADGBE11xx237frEADGBE11x234
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
G♯7♯5♯9
EADGBE222221
4frEADGBE1144325frEADGBE44xx3110frEADGBEx2134x
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1

One By One in F#

One By One in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to F# (descending half step), F# to E (descending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D# (ascending tritone), D# to F# (ascending minor third), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to A# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: G♯m7♭5, C♯7♯5♯9, G7, F♯m7, Em7, A7, Dmaj9, Bm11, E9, Amaj9, A7/f, D♯m7♭5, F♯m11, D♯7♯9, G♯7♯5♯9, C♯m7, A♯m7♭5.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#