One By One in A

Wayne Shorter()swingShuffle
Do Re MiC D E
A
A
B
A
E7♯5♯9
Fmaj9
Dm11
Cmaj9
C7/f
E7♯5♯9
Am11
E7♯5♯9
Fmaj9
Dm11
Cmaj9
C7/f
E7♯5♯9
Am11
B7♯5♯9
B7♯5♯9
C7/f
E7♯5♯9
Am11
E7♯5♯9
Fmaj9
Dm11
Cmaj9
C7/f
E7♯5♯9
Am11

Chord Diagrams — One By One in A (Guitar)

Display
FingerNoteDegree
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
E7♯5♯9
EADGBE214
3frEADGBE3126frEADGBEx2134x9frEADGBE11123
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fmaj9
EADGBE132
EADGBExx23147frEADGBEx2143x10frEADGBE11xx34
Dm11
EADGBE11xx
3frEADGBE11x2348frEADGBE11134210frEADGBE111114
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
C7/f
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
Am11
EADGBEx1
3frEADGBE1113425frEADGBE11111410frEADGBE11x234
F♯7♯9
EADGBE222221
2frEADGBE1113243frEADGBExx21348frEADGBEx2134x
B7♯5♯9
EADGBEx2134x
5frEADGBE32417frEADGBE1144328frEADGBExx2134
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1

One By One in A

One By One in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to A# (ascending tritone), A# to A (descending half step), A to G (descending whole step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to F# (ascending tritone), F# to A (ascending minor third), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: Bm7♭5, E7♯5♯9, A♯7, Am7, Gm7, C7, Fmaj9, Dm11, G9, Cmaj9, C7/f, F♯m7♭5, Am11, F♯7♯9, B7♯5♯9, Em7, C♯m7♭5.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A