Do Re MiC D E

One By One

Wayne Shorter4/4swingShuffle
E7♯5♯9
Fmaj9
Dm11
Cmaj9
C7/f
E7♯5♯9
Am11
E7♯5♯9
Fmaj9
Dm11
Cmaj9
C7/f
E7♯5♯9
Am11
E7♯5♯9
Fmaj9
Dm11
Cmaj9
C7/f
E7♯5♯9
Am11

Chord Diagrams — One By One in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm7♭5
6frEADGBE2x341x
EADGBEx1324x
7frEADGBE111234
9frEADGBE222xx1
E7♯5♯9
6frEADGBEx2134x
EADGBE214
3frEADGBE312
9frEADGBE11123
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Fmaj9
7frEADGBEx2143x
EADGBE132
EADGBExx2314
10frEADGBE11xx34
Dm11
8frEADGBE111342
EADGBE11xx
3frEADGBE11x234
10frEADGBE111114
G9
9frEADGBE221334
EADGBE31
EADGBE11234x
3frEADGBE111324
Cmaj9
8frEADGBE11x234
EADGBEx3
EADGBE22143x
5frEADGBE11113
C7/f
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
F♯m7♭5
9frEADGBEx1324x
EADGBE2341
4frEADGBE222xx1
10frEADGBE11xx24
Am11
10frEADGBE11x234
EADGBEx1
3frEADGBE111342
5frEADGBE111114
F♯7♯9
8frEADGBEx2134x
EADGBE213334
2frEADGBE111324
3frEADGBExx2134
B7♯5♯9
8frEADGBExx2134
EADGBEx2134x
5frEADGBE3241
7frEADGBE114432
Em7
8frEADGBExx2314
EADGBE2
EADGBE11423
7frEADGBE111132
C♯m7♭5
8frEADGBE2x341x
4frEADGBEx1324x
5frEADGBE11xx24
11frEADGBE222xx1

Explore More

One By One in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to A# (ascending tritone), A# to A (descending half step), A to G (descending whole step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to F# (ascending tritone), F# to A (ascending minor third), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: Bm7♭5, E7♯5♯9, A♯7, Am7, Gm7, C7, Fmaj9, Dm11, G9, Cmaj9, C7/f, F♯m7♭5, Am11, F♯7♯9, B7♯5♯9, Em7, C♯m7♭5.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A