Do Re MiC D E

One By One

Wayne Shorter4/4swingShuffle
F7♯5♯9
F♯maj9
D♯m11
C♯maj9
C♯7/f
F7♯5♯9
A♯m11
F7♯5♯9
F♯maj9
D♯m11
C♯maj9
C♯7/f
F7♯5♯9
A♯m11
C7♯5♯9
C7♯5♯9
C♯7/f
F7♯5♯9
A♯m11
F7♯5♯9
F♯maj9
D♯m11
C♯maj9
C♯7/f
F7♯5♯9
A♯m11

Chord Diagrams — One By One in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
F7♯5♯9
EADGBExx2134
EADGBE111324
7frEADGBEx2134x
10frEADGBE111x23
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
D♯m11
4frEADGBE11x234
EADGBE11xx34
9frEADGBE111342
11frEADGBE111114
G♯9
4frEADGBE111324
EADGBE11234x
5frEADGBExx2143
10frEADGBE221334
C♯maj9
3frEADGBEx2143x
EADGBE1111x4
8frEADGBE111243
10frEADGBExx2143
C♯7/f
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
Gm7♭5
EADGBE2x341x
EADGBE3xx421
5frEADGBE222xx1
10frEADGBEx1324x
A♯m11
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
G7♯9
3frEADGBE114432
EADGBE3241
4frEADGBE44x231
9frEADGBEx2134x
C7♯5♯9
3frEADGBE11x32
EADGBEx2134x
8frEADGBE111324
9frEADGBExx2134
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432

Explore More

One By One in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to B (ascending tritone), B to A# (descending half step), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to G (ascending tritone), G to A# (ascending minor third), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to C by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: Cm7♭5, F7♯5♯9, B7, A♯m7, G♯m7, C♯7, F♯maj9, D♯m11, G♯9, C♯maj9, C♯7/f, Gm7♭5, A♯m11, G7♯9, C7♯5♯9, Fm7, Dm7♭5.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#