One By One in E

Wayne Shorter()swingShuffle
Do Re MiC D E
A
A
B
A
B7♯5♯9
Cmaj9
Am11
Gmaj9
G7/f
B7♯5♯9
Em11
B7♯5♯9
Cmaj9
Am11
Gmaj9
G7/f
B7♯5♯9
Em11
F♯7♯5♯9
F♯7♯5♯9
G7/f
B7♯5♯9
Em11
B7♯5♯9
Cmaj9
Am11
Gmaj9
G7/f
B7♯5♯9
Em11

Chord Diagrams — One By One in E (Guitar)

Display
FingerNoteDegree
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B7♯5♯9
EADGBEx2134x
5frEADGBE32417frEADGBE1144328frEADGBExx2134
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
Am11
EADGBEx1
3frEADGBE1113425frEADGBE11111410frEADGBE11x234
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
G7/f
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
Em11
EADGBE1
3frEADGBE3215frEADGBE11x23410frEADGBE111342
C♯7♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324
F♯7♯5♯9
EADGBE222221
2frEADGBE1113243frEADGBExx21348frEADGBEx2134x
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x

One By One in E

One By One in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to F (ascending tritone), F to E (descending half step), E to D (descending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C# (ascending tritone), C# to E (ascending minor third), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to F# by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: F♯m7♭5, B7♯5♯9, F7, Em7, Dm7, G7, Cmaj9, Am11, D9, Gmaj9, G7/f, C♯m7♭5, Em11, C♯7♯9, F♯7♯5♯9, Bm7, G♯m7♭5.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E