Do Re MiC D E

Naima

Coltrane John4/4ballad
Am7/E♭
G♯maj7/E♭
F♯maj7/E♭
Gmaj7/E♭
Am7/E♭
G♯maj7/E♭
F♯maj7/E♭
Gmaj7/E♭
A♯maj7/B♭
A13♭9
A♯maj7/B♭
A13♭9
D♯7♯11/B♭
A♯maj7/B♭
Gmaj7/B♭
D♯maj7♯11/B♭
Am7/E♭
G♯maj7/E♭
F♯maj7/E♭
Gmaj7/E♭
G♯maj7/E♭
F♯maj7/E♭
Gmaj7/E♭
G♯maj7/E♭
F♯maj7/E♭
Gmaj7/E♭
G♯maj7/E♭
F♯maj7/E♭
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Chord Diagrams — Naima in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7/E♭
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
G♯maj7/E♭
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
F♯maj7/E♭
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Gmaj7/E♭
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
A♯maj7/B♭
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
A13♭9
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
D♯7♯11/B♭
5frEADGBE11x234
EADGBExx1234
6frEADGBE11x23x
10frEADGBE111234
Gmaj7/B♭
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
D♯maj7♯11/B♭
6frEADGBE11x234
EADGBEx314x
3frEADGBE11x423
10frEADGBE111123
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1

Explore More

Naima in G

Naima in G: Coltrane's tender dedication to his wife holds a pedal tone bass beneath slowly shifting upper harmonies. Lydian and Dorian color the upper structures — Bebop Major lines connect the static, luminous chords. Chords: Am7/Eb – Dm9 – G#maj7/Eb – F#maj7/Eb – Gmaj7/Eb – A#maj7/Bb – A13b9 – D#7#11/Bb – Gmaj7/Bb – D#maj7#11/Bb – Gmaj7 – Cmaj7.

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to G# (ascending tritone), G# to F# (descending whole step), F# to G (ascending half step), G to A# (ascending minor third), A# to A (descending half step), A to D# (ascending tritone), D# to G (ascending major third), G to D# (descending major third), D# to G (ascending major third), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A by minor third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 29 bars · Form: ABA

Chords: Am7/E♭, Dm9, G♯maj7/E♭, F♯maj7/E♭, Gmaj7/E♭, A♯maj7/B♭, A13♭9, D♯7♯11/B♭, Gmaj7/B♭, D♯maj7♯11/B♭, Gmaj7, Cmaj7.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G