Naima in Mi

John Coltrane(1960)balladBallad
A
A
B
A
Sim7/B♭
Sim7/B♭
FaMaj7/B♭
MiMaj7/B♭
Sim7/B♭
Sim7/B♭
FaMaj7/B♭
MiMaj7/B♭
SolMaj7♯11
Fa♯Maj7♯11
SolMaj7♯11
Fa♯Maj7♯11
Sim7/B♭
Sim7/B♭
FaMaj7/B♭
MiMaj7/B♭

Chord Diagrams — Naima in Mi (Guitar)

Sim7/B♭
Si♭ - Si - Re - Fa♯ - La
FaMaj7/B♭
Si♭ - Fa - La - Do - Mi
MiMaj7/B♭
Si♭ - Mi - Sol♯ - Si - Re♯
SolMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
SolMaj7♯11
Fa♯Maj7♯11

Naima in Mi

Naima in E: Coltrane's tender dedication to his wife holds a pedal tone bass beneath slowly shifting upper harmonies. Lydian and Dorian color the upper structures — Bebop Major lines connect the static, luminous chords. Chords: Bm7/Bb – FMaj7/Bb – EMaj7/Bb – GMaj7 – GMaj7#11 – F#Maj7#11.

Naima in Mi

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to F (ascending tritone), F to E (descending half step), E to G (ascending minor third), G to G (ascending unison), G to F# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 20 bars · Form: AABA

Chords: Sim7/B♭, FaMaj7/B♭, MiMaj7/B♭, SolMaj7, SolMaj7♯11, Fa♯Maj7♯11.

Scales for Improvisation Mi lydian, Mi dorian, Mi major pentatonic, Mi bebop major.