Naima in E

John Coltrane(1960)balladBallad
Do Re MiC D E
A
A
B
A
Bm7/F♯
Bm7/F♯
FMaj7/F♯
EMaj7/F♯
Bm7/F♯
Bm7/F♯
FMaj7/F♯
EMaj7/F♯
Gmaj7♯11
F♯maj7♯11
Gmaj7♯11
F♯maj7♯11
Bm7/F♯
Bm7/F♯
FMaj7/F♯
EMaj7/F♯

Chord Diagrams — Naima in E (Guitar)

Display
FingerNoteDegree
Bm7/F♯
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
FMaj7/F♯
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
EMaj7/F♯
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
Gmaj7♯11
EADGBE111133
3frEADGBE1112347frEADGBE11x42310frEADGBE11x234
F♯maj7♯11
EADGBE111123
4frEADGBE11x2346frEADGBE11x4239frEADGBE11x234

Naima in E

Naima in E: Coltrane's tender dedication to his wife holds a pedal tone bass beneath slowly shifting upper harmonies. Lydian and Dorian color the upper structures — Bebop Major lines connect the static, luminous chords. Chords: Bm7/F# – FMaj7/F# – EMaj7/F# – GMaj7 – Gmaj7#11 – F#maj7#11.

Naima in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to F (ascending tritone), F to E (descending half step), E to G (ascending minor third), G to G (ascending unison), G to F# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 20 bars · Form: AABA

Chords: Bm7/F♯, FMaj7/F♯, EMaj7/F♯, GMaj7, Gmaj7♯11, F♯maj7♯11.

Scales for Improvisation E lydian, E dorian, E major pentatonic, E bebop major.

Diatonic chords: See all chords in the key of E