Do Re MiC D E

Naima

Coltrane John4/4ballad
F♯m7/E♭
Fmaj7/E♭
D♯maj7/E♭
Emaj7/E♭
F♯m7/E♭
Fmaj7/E♭
D♯maj7/E♭
Emaj7/E♭
Gmaj7/B♭
F♯13♭9
Gmaj7/B♭
F♯13♭9
C7♯11/B♭
Gmaj7/B♭
Emaj7/B♭
Cmaj7♯11/B♭
F♯m7/E♭
Fmaj7/E♭
D♯maj7/E♭
Emaj7/E♭
Fmaj7/E♭
D♯maj7/E♭
Emaj7/E♭
Fmaj7/E♭
D♯maj7/E♭
Emaj7/E♭
Fmaj7/E♭
D♯maj7/E♭
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Chord Diagrams — Naima in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7/E♭
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
Fmaj7/E♭
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
D♯maj7/E♭
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Emaj7/E♭
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
Gmaj7/B♭
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
F♯13♭9
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
C7♯11/B♭
EADGBE11x234
3frEADGBE111x23
7frEADGBE111234
10frEADGBExx1234
Emaj7/B♭
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
Cmaj7♯11/B♭
3frEADGBE11x234
EADGBEx4231
7frEADGBE111123
8frEADGBE111234
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
Amaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1

Explore More

Naima in E

Naima in E: Coltrane's tender dedication to his wife holds a pedal tone bass beneath slowly shifting upper harmonies. Lydian and Dorian color the upper structures — Bebop Major lines connect the static, luminous chords. Chords: F#m7/Eb – Bm9 – Fmaj7/Eb – D#maj7/Eb – Emaj7/Eb – Gmaj7/Bb – F#13b9 – C7#11/Bb – Emaj7/Bb – Cmaj7#11/Bb – Emaj7 – Amaj7.

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to F (ascending tritone), F to D# (descending whole step), D# to E (ascending half step), E to G (ascending minor third), G to F# (descending half step), F# to C (ascending tritone), C to E (ascending major third), E to C (descending major third), C to E (ascending major third), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to F# by minor third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 29 bars · Form: ABA

Chords: F♯m7/E♭, Bm9, Fmaj7/E♭, D♯maj7/E♭, Emaj7/E♭, Gmaj7/B♭, F♯13♭9, C7♯11/B♭, Emaj7/B♭, Cmaj7♯11/B♭, Emaj7, Amaj7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E