Do Re MiC D E

Naima

Coltrane John4/4ballad
Em7/E♭
D♯maj7/E♭
C♯maj7/E♭
Dmaj7/E♭
Em7/E♭
D♯maj7/E♭
C♯maj7/E♭
Dmaj7/E♭
Fmaj7/B♭
E13♭9
Fmaj7/B♭
E13♭9
A♯7♯11/B♭
Fmaj7/B♭
Dmaj7/B♭
A♯maj7♯11/B♭
Em7/E♭
D♯maj7/E♭
C♯maj7/E♭
Dmaj7/E♭
D♯maj7/E♭
C♯maj7/E♭
Dmaj7/E♭
D♯maj7/E♭
C♯maj7/E♭
Dmaj7/E♭
D♯maj7/E♭
C♯maj7/E♭
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Chord Diagrams — Naima in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7/E♭
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Am9
EADGBEx2413
5frEADGBE111134
8frEADGBE132
10frEADGBEx21344
D♯maj7/E♭
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
C♯maj7/E♭
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
Dmaj7/E♭
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
Fmaj7/B♭
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
E13♭9
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
A♯7♯11/B♭
EADGBEx123
5frEADGBE11123x
8frEADGBExx1234
12frEADGBE11x234
Dmaj7/B♭
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
A♯maj7♯11/B♭
EADGBE11x234
5frEADGBE111123
6frEADGBE111234
10frEADGBE11x423
Dmaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324

Explore More

Naima in D

Naima in D: Coltrane's tender dedication to his wife holds a pedal tone bass beneath slowly shifting upper harmonies. Lydian and Dorian color the upper structures — Bebop Major lines connect the static, luminous chords. Chords: Em7/Eb – Am9 – D#maj7/Eb – C#maj7/Eb – Dmaj7/Eb – Fmaj7/Bb – E13b9 – A#7#11/Bb – Dmaj7/Bb – A#maj7#11/Bb – Dmaj7 – Gmaj7.

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to D# (ascending tritone), D# to C# (descending whole step), C# to D (ascending half step), D to F (ascending minor third), F to E (descending half step), E to A# (ascending tritone), A# to D (ascending major third), D to A# (descending major third), A# to D (ascending major third), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to E by minor third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 29 bars · Form: ABA

Chords: Em7/E♭, Am9, D♯maj7/E♭, C♯maj7/E♭, Dmaj7/E♭, Fmaj7/B♭, E13♭9, A♯7♯11/B♭, Dmaj7/B♭, A♯maj7♯11/B♭, Dmaj7, Gmaj7.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D