Naima in Re

John Coltrane(1960)balladBallad
A
A
B
A
Lam7/B♭
Lam7/B♭
Re♯Maj7/B♭
ReMaj7/B♭
Lam7/B♭
Lam7/B♭
Re♯Maj7/B♭
ReMaj7/B♭
FaMaj7♯11
MiMaj7♯11
FaMaj7♯11
MiMaj7♯11
Lam7/B♭
Lam7/B♭
Re♯Maj7/B♭
ReMaj7/B♭

Chord Diagrams — Naima in Re (Guitar)

Lam7/B♭
Si♭ - La - Do - Mi - Sol
Re♯Maj7/B♭
Si♭ - Re♯ - Sol - La♯ - Re
ReMaj7/B♭
Si♭ - Re - Fa♯ - La - Do♯
FaMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
FaMaj7♯11
MiMaj7♯11

Naima in Re

Naima in D: Coltrane's tender dedication to his wife holds a pedal tone bass beneath slowly shifting upper harmonies. Lydian and Dorian color the upper structures — Bebop Major lines connect the static, luminous chords. Chords: Am7/Bb – D#Maj7/Bb – DMaj7/Bb – FMaj7 – FMaj7#11 – EMaj7#11.

Naima in Re

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D# (ascending tritone), D# to D (descending half step), D to F (ascending minor third), F to F (ascending unison), F to E (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 20 bars · Form: AABA

Chords: Lam7/B♭, Re♯Maj7/B♭, ReMaj7/B♭, FaMaj7, FaMaj7♯11, MiMaj7♯11.

Scales for Improvisation Re lydian, Re dorian, Re major pentatonic, Re bebop major.