Do Re MiC D E

Naima

Coltrane John4/4ballad
Dm7/E♭
C♯maj7/E♭
Bmaj7/E♭
Cmaj7/E♭
Dm7/E♭
C♯maj7/E♭
Bmaj7/E♭
Cmaj7/E♭
D♯maj7/B♭
D13♭9
D♯maj7/B♭
D13♭9
G♯7♯11/B♭
D♯maj7/B♭
Cmaj7/B♭
G♯maj7♯11/B♭
Dm7/E♭
C♯maj7/E♭
Bmaj7/E♭
Cmaj7/E♭
C♯maj7/E♭
Bmaj7/E♭
Cmaj7/E♭
C♯maj7/E♭
Bmaj7/E♭
Cmaj7/E♭
C♯maj7/E♭
Bmaj7/E♭
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Chord Diagrams — Naima in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dm7/E♭
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
C♯maj7/E♭
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
Bmaj7/E♭
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
Cmaj7/E♭
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
D♯maj7/B♭
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4
D13♭9
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
G♯7♯11/B♭
6frEADGBExx1234
3frEADGBE2x341x
10frEADGBE11x234
11frEADGBE111x23
Cmaj7/B♭
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
G♯maj7♯11/B♭
4frEADGBE111234
EADGBE111123
8frEADGBE11x423
11frEADGBE11x234
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324

Explore More

Naima in C

Naima in C: Coltrane's tender dedication to his wife holds a pedal tone bass beneath slowly shifting upper harmonies. Lydian and Dorian color the upper structures — Bebop Major lines connect the static, luminous chords. Chords: Dm7/Eb – Gm9 – C#maj7/Eb – Bmaj7/Eb – Cmaj7/Eb – D#maj7/Bb – D13b9 – G#7#11/Bb – Cmaj7/Bb – G#maj7#11/Bb – Cmaj7 – Fmaj7.

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to G (ascending perfect fourth), G to C# (ascending tritone), C# to B (descending whole step), B to C (ascending half step), C to D# (ascending minor third), D# to D (descending half step), D to G# (ascending tritone), G# to C (ascending major third), C to G# (descending major third), G# to C (ascending major third), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to D by minor third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 29 bars · Form: ABA

Chords: Dm7/E♭, Gm9, C♯maj7/E♭, Bmaj7/E♭, Cmaj7/E♭, D♯maj7/B♭, D13♭9, G♯7♯11/B♭, Cmaj7/B♭, G♯maj7♯11/B♭, Cmaj7, Fmaj7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C