Do Re MiC D E

It's Just Talk

Metheny Pat4/4latin
%
G9♯11
%
%
G9♯11
%
%
G9♯11
%
%
G9♯11
%
%
D/A
E/B
%
G9♯11
%
%
G9♯11
%
%
G9♯11
%
%
D/A
E/B
%
%
%
B/G♯
G/D
%
Dmaj9
A♯maj9
Emaj7/B
B69
%
Dmaj7/A
Amaj9
Emaj7/B
Bmaj9
F♯maj7/C♯
C♯maj9
Emaj7/B

Chord Diagrams — It's Just Talk in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m9
4frEADGBE111134
EADGBE11143
7frEADGBE221341
9frEADGBEx21344
G9♯11
5frEADGBExx1234
EADGBE111234
9frEADGBE11x234
10frEADGBE111x23
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Dadd9
5frEADGBEx1234
2frEADGBE11x324
7frEADGBExx314
10frEADGBExx3214
D/A
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
E/B
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
B/G♯
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
G/D
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
Dmaj9
4frEADGBEx2143x
2frEADGBE1111x4
7frEADGBEx2314
10frEADGBE11x234
F9
EADGBExx2143
EADGBE111324
7frEADGBE221334
10frEADGBE1111x2
A♯maj9
3frEADGBE111143
EADGBE1113x
5frEADGBE11243x
6frEADGBE112234
Emaj7/B
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
B69
EADGBE11x234
6frEADGBE111234
8frEADGBEx22134
11frEADGBE11x432
Dmaj7/A
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
Amaj9
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x
Bmaj9
EADGBE22143x
4frEADGBE11xx34
6frEADGBE11243x
8frEADGBExx2143
F♯maj7/C♯
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
C♯maj9
EADGBE1111x4
3frEADGBEx2143x
8frEADGBE111243
10frEADGBExx2143

Explore More

It's Just Talk in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G (descending half step), G to C# (ascending tritone), C# to D (ascending half step), D to D (ascending unison), D to E (ascending whole step), E to C# (descending minor third), C# to B (descending whole step), B to E (ascending perfect fourth), E to G (ascending minor third), G to D (descending perfect fourth), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to B (descending perfect fourth), B to D (ascending minor third), D to A (descending perfect fourth), A to B (ascending whole step), B to F# (descending perfect fourth), F# to C# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

latin4/4 · 56 bars · Form: AB

Chords: G♯m9, G9♯11, C♯m7, Dadd9, D/A, E/B, C♯m9, B/G♯, Emaj7, G/D, Dmaj9, F9, A♯maj9, Emaj7/B, B69, Dmaj7/A, Amaj9, Bmaj9, F♯maj7/C♯, C♯maj9.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#