Do Re MiC D E

It's Just Talk

Metheny Pat4/4latin
%
G♯9♯11
%
%
G♯9♯11
%
%
G♯9♯11
%
%
G♯9♯11
%
%
D♯/A
F/B
%
G♯9♯11
%
%
G♯9♯11
%
%
G♯9♯11
%
%
D♯/A
F/B
%
%
%
C/G♯
G♯/D
%
D♯maj9
Bmaj9
Fmaj7/B
C69
%
D♯maj7/A
A♯maj9
Fmaj7/B
Cmaj9
Gmaj7/C♯
Dmaj9
Fmaj7/B

Chord Diagrams — It's Just Talk in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
G♯9♯11
6frEADGBExx1234
3frEADGBE2x341x
10frEADGBE11x234
11frEADGBE111x23
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
D♯add9
5frEADGBEx2134
3frEADGBE11x324
10frEADGBE31x24x
11frEADGBExx3214
D♯/A
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
F/B
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
C/G♯
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
G♯/D
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D♯maj9
5frEADGBEx2143x
3frEADGBE1111x4
8frEADGBE1111x4
11frEADGBExx2314
F♯9
3frEADGBExx2143
EADGBE111324
8frEADGBE221334
11frEADGBE1111x2
Bmaj9
4frEADGBE11xx34
EADGBE22143x
6frEADGBE11243x
8frEADGBExx2143
Fmaj7/B
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
C69
3frEADGBEx134
EADGBE11x334
7frEADGBE111234
9frEADGBEx22134
D♯maj7/A
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
A♯maj9
3frEADGBE111143
EADGBE1113x
5frEADGBE11243x
6frEADGBE112234
Cmaj9
EADGBEx3
EADGBE22143x
5frEADGBE11113
8frEADGBE11x234
Gmaj7/C♯
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x
7frEADGBEx2314
10frEADGBE11x234

Explore More

It's Just Talk in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G# (descending half step), G# to D (ascending tritone), D to D# (ascending half step), D# to D# (ascending unison), D# to F (ascending whole step), F to D (descending minor third), D to C (descending whole step), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to F (ascending tritone), F to C (descending perfect fourth), C to D# (ascending minor third), D# to A# (descending perfect fourth), A# to C (ascending whole step), C to G (descending perfect fourth), G to D (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

latin4/4 · 56 bars · Form: AB

Chords: Am9, G♯9♯11, Dm7, D♯add9, D♯/A, F/B, Dm9, C/G♯, Fmaj7, G♯/D, D♯maj9, F♯9, Bmaj9, Fmaj7/B, C69, D♯maj7/A, A♯maj9, Cmaj9, Gmaj7/C♯, Dmaj9.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A