Do Re MiC D E

It's Just Talk

Metheny Pat4/4latin
%
A♯9♯11
%
%
A♯9♯11
%
%
A♯9♯11
%
%
A♯9♯11
%
%
F/A
G/B
%
A♯9♯11
%
%
A♯9♯11
%
%
A♯9♯11
%
%
F/A
G/B
%
%
%
D/G♯
A♯/D
%
Fmaj9
C♯maj9
Gmaj7/B
D69
%
Fmaj7/A
Cmaj9
Gmaj7/B
Dmaj9
Amaj7/C♯
Emaj9
Gmaj7/B

Chord Diagrams — It's Just Talk in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
A♯9♯11
5frEADGBE11123x
EADGBEx123
8frEADGBExx1234
12frEADGBE11x234
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Fadd9
7frEADGBEx2134
EADGBExx3214
3frEADGBExx143
5frEADGBE11x324
F/A
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
G/B
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
D/G♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
A♯/D
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Fmaj9
7frEADGBEx2143x
EADGBE132
EADGBExx2314
10frEADGBE11xx34
G♯9
5frEADGBExx2143
EADGBE11234x
4frEADGBE111324
10frEADGBE221334
C♯maj9
3frEADGBEx2143x
EADGBE1111x4
8frEADGBE111243
10frEADGBExx2143
Gmaj7/B
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
D69
2frEADGBEx431
4frEADGBE11x234
9frEADGBE111234
11frEADGBEx22134
Fmaj7/A
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Cmaj9
EADGBEx3
EADGBE22143x
5frEADGBE11113
8frEADGBE11x234
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x
7frEADGBEx2314
10frEADGBE11x234
Amaj7/C♯
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
Emaj9
EADGBE111234
EADGBE3124
6frEADGBEx2143x
9frEADGBE11xx34

Explore More

It's Just Talk in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A# (descending half step), A# to E (ascending tritone), E to F (ascending half step), F to F (ascending unison), F to G (ascending whole step), G to E (descending minor third), E to D (descending whole step), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to D (descending perfect fourth), D to F (ascending minor third), F to C (descending perfect fourth), C to D (ascending whole step), D to A (descending perfect fourth), A to E (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

latin4/4 · 56 bars · Form: AB

Chords: Bm9, A♯9♯11, Em7, Fadd9, F/A, G/B, Em9, D/G♯, Gmaj7, A♯/D, Fmaj9, G♯9, C♯maj9, Gmaj7/B, D69, Fmaj7/A, Cmaj9, Dmaj9, Amaj7/C♯, Emaj9.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B