Do Re MiC D E

It's Just Talk

Metheny Pat4/4latin
%
D♯9♯11
%
%
D♯9♯11
%
%
D♯9♯11
%
%
D♯9♯11
%
%
A♯/A
C/B
%
D♯9♯11
%
%
D♯9♯11
%
%
D♯9♯11
%
%
A♯/A
C/B
%
%
%
G/G♯
D♯/D
%
A♯maj9
F♯maj9
Cmaj7/B
G69
%
A♯maj7/A
Fmaj9
Cmaj7/B
Gmaj9
Dmaj7/C♯
Amaj9
Cmaj7/B

Chord Diagrams — It's Just Talk in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
D♯9♯11
6frEADGBE11x23x
EADGBExx1234
5frEADGBE11x234
10frEADGBE111234
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
A♯add9
7frEADGBExx21x3
EADGBEx1423
6frEADGBExx3214
10frEADGBE11x324
A♯/A
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
C/B
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
G/G♯
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
D♯/D
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
A♯maj9
3frEADGBE111143
EADGBE1113x
5frEADGBE11243x
6frEADGBE112234
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
Cmaj7/B
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
G69
EADGBE1
EADGBE111234
4frEADGBEx22134
9frEADGBE11x234
A♯maj7/A
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Fmaj9
EADGBExx2314
EADGBE132
7frEADGBEx2143x
10frEADGBE11xx34
Gmaj9
EADGBE21
EADGBE111243
3frEADGBExx2314
9frEADGBEx2143x
Dmaj7/C♯
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
Amaj9
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x

Explore More

It's Just Talk in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D# (descending half step), D# to A (ascending tritone), A to A# (ascending half step), A# to A# (ascending unison), A# to C (ascending whole step), C to A (descending minor third), A to G (descending whole step), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to A# (descending perfect fourth), A# to C# (ascending minor third), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to G (descending perfect fourth), G to A# (ascending minor third), A# to F (descending perfect fourth), F to G (ascending whole step), G to D (descending perfect fourth), D to A (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

latin4/4 · 56 bars · Form: AB

Chords: Em9, D♯9♯11, Am7, A♯add9, A♯/A, C/B, Am9, G/G♯, Cmaj7, D♯/D, A♯maj9, C♯9, F♯maj9, Cmaj7/B, G69, A♯maj7/A, Fmaj9, Gmaj9, Dmaj7/C♯, Amaj9.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E