Do Re MiC D E

It's Just Talk

Metheny Pat4/4latin
%
F9♯11
%
%
F9♯11
%
%
F9♯11
%
%
F9♯11
%
%
C/A
D/B
%
F9♯11
%
%
F9♯11
%
%
F9♯11
%
%
C/A
D/B
%
%
%
A/G♯
F/D
%
Cmaj9
G♯maj9
Dmaj7/B
A69
%
Cmaj7/A
Gmaj9
Dmaj7/B
Amaj9
Emaj7/C♯
Bmaj9
Dmaj7/B

Chord Diagrams — It's Just Talk in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
F9♯11
3frEADGBExx1234
EADGBE123
7frEADGBE11x234
8frEADGBE111x23
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Cadd9
EADGBEx13
EADGBEx213
7frEADGBE213
8frEADGBExx3214
C/A
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
D/B
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Bm9
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234
A/G♯
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
Dmaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
F/D
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
Cmaj9
EADGBEx3
EADGBE22143x
5frEADGBE11113
8frEADGBE11x234
D♯9
EADGBExx132
5frEADGBEx21334
10frEADGBE3142xx
11frEADGBE111324
G♯maj9
EADGBE1111x4
3frEADGBE111243
4frEADGBE113224
10frEADGBE22143x
Dmaj7/B
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
A69
EADGBE11x34
4frEADGBE111234
6frEADGBEx22134
11frEADGBE11x234
Cmaj7/A
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
Gmaj9
EADGBE111243
EADGBE21
3frEADGBExx2314
9frEADGBEx2143x
Amaj9
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x
Emaj7/C♯
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
Bmaj9
EADGBE22143x
4frEADGBE11xx34
6frEADGBE11243x
8frEADGBExx2143

Explore More

It's Just Talk in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F (descending half step), F to B (ascending tritone), B to C (ascending half step), C to C (ascending unison), C to D (ascending whole step), D to B (descending minor third), B to A (descending whole step), A to D (ascending perfect fourth), D to F (ascending minor third), F to C (descending perfect fourth), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to A (descending perfect fourth), A to C (ascending minor third), C to G (descending perfect fourth), G to A (ascending whole step), A to E (descending perfect fourth), E to B (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

latin4/4 · 56 bars · Form: AB

Chords: F♯m9, F9♯11, Bm7, Cadd9, C/A, D/B, Bm9, A/G♯, Dmaj7, F/D, Cmaj9, D♯9, G♯maj9, Dmaj7/B, A69, Cmaj7/A, Gmaj9, Amaj9, Emaj7/C♯, Bmaj9.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#