Do Re MiC D E

Butterfly

Hancock Herbie4/4funk
G♯m11
Cm11
G♯m11
Fm11
G♯m11
Cm11
G♯m11
Fm11
C7♯9♯5
Bmaj7/B♭
Bmaj7♯5/B♭
Bmaj7/B♭
C♯13
F♯13sus4
%
F♯7♯9♯5
F♯7♯9♯5
B13sus4
B13sus4/C
D♯7/E
G♯m11
%
%
%
%
%
%
%
C♯13
%
%
%
%
%
%
%
Cmaj7♯11

Chord Diagrams — Butterfly in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
G♯m11
4frEADGBE111114
EADGBE111342
6frEADGBE11xx23
9frEADGBE11x334
Cm11
EADGBE1111x2
EADGBE11x234
6frEADGBE111342
8frEADGBE111114
Fm11
EADGBE11xx23
EADGBE111114
6frEADGBE11x234
11frEADGBE111342
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
C7♯9♯5
C - E - G♯ - B♭ - D♯
Bmaj7/B♭
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
Bmaj7♯5/B♭
EADGBEx2134
2frEADGBEx1423x
6frEADGBE2133x
11frEADGBE111432
C♯13
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234
F♯13sus4
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
F♯7♯9♯5
F♯ - A♯ - D - E - A
B13sus4
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
B13sus4/C
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
D♯7/E
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Cmaj7♯11
EADGBEx4231
3frEADGBE11x234
7frEADGBE111123
8frEADGBE111234

Explore More

Butterfly in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C (ascending major third), C to G# (descending major third), G# to C (ascending major third), C to F (ascending perfect fourth), F to C# (descending major third), C# to C (descending half step), C to B (descending half step), B to B (ascending unison), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to D# (ascending major third), D# to C (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to G# by major third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 53 bars · Form: AB

Chords: G♯m7, Cm7, G♯m11, Cm11, Fm11, C♯7, C7♯9♯5, Bmaj7/B♭, Bmaj7♯5/B♭, C♯13, F♯13sus4, F♯7♯9♯5, B13sus4, B13sus4/C, D♯7/E, Cmaj7♯11.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#