Do Re MiC D E

Butterfly

Hancock Herbie4/4funk
C♯m11
Fm11
C♯m11
A♯m11
C♯m11
Fm11
C♯m11
A♯m11
F7♯9♯5
Emaj7/B♭
Emaj7♯5/B♭
Emaj7/B♭
F♯13
B13sus4
%
B7♯9♯5
B7♯9♯5
E13sus4
E13sus4/C
G♯7/E
C♯m11
%
%
%
%
%
%
%
F♯13
%
%
%
%
%
%
%
Fmaj7♯11

Chord Diagrams — Butterfly in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
C♯m11
EADGBE111x23
7frEADGBE111342
9frEADGBE111114
11frEADGBE11xx23
Fm11
EADGBE11xx23
EADGBE111114
6frEADGBE11x234
11frEADGBE111342
A♯m11
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
F7♯9♯5
F - A - C♯ - E♭ - G♯
Emaj7/B♭
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
Emaj7♯5/B♭
4frEADGBE111432
EADGBE44321
7frEADGBEx1423x
9frEADGBE11324
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
B13sus4
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
B7♯9♯5
B - D♯ - G - A - D
E13sus4
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
E13sus4/C
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
G♯7/E
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
Fmaj7♯11
EADGBE12
EADGBExx213
5frEADGBE11x423
8frEADGBE11x234

Explore More

Butterfly in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to F (ascending major third), F to C# (descending major third), C# to F (ascending major third), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to F (descending half step), F to E (descending half step), E to E (ascending unison), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to G# (ascending major third), G# to F (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to C# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 53 bars · Form: AB

Chords: C♯m7, Fm7, C♯m11, Fm11, A♯m11, F♯7, F7♯9♯5, Emaj7/B♭, Emaj7♯5/B♭, F♯13, B13sus4, B7♯9♯5, E13sus4, E13sus4/C, G♯7/E, Fmaj7♯11.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#