Do Re MiC D E

Butterfly

Hancock Herbie4/4funk
Bm11
D♯m11
Bm11
G♯m11
Bm11
D♯m11
Bm11
G♯m11
D♯7♯9♯5
Dmaj7/B♭
Dmaj7♯5/B♭
Dmaj7/B♭
E13
A13sus4
%
A7♯9♯5
A7♯9♯5
D13sus4
D13sus4/C
F♯7/E
Bm11
%
%
%
%
%
%
%
E13
%
%
%
%
%
%
%
D♯maj7♯11

Chord Diagrams — Butterfly in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
Bm11
EADGBEx123
5frEADGBE111342
7frEADGBE111114
9frEADGBE1122xx
D♯m11
EADGBE11xx34
4frEADGBE11x234
9frEADGBE111342
11frEADGBE111114
G♯m11
EADGBE111342
4frEADGBE111114
6frEADGBE11xx23
9frEADGBE11x334
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
D♯7♯9♯5
D♯ - G - B - C♯ - E♯#
Dmaj7/B♭
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
Dmaj7♯5/B♭
EADGBExx423
2frEADGBE111432
5frEADGBEx1243
9frEADGBExx231
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
A13sus4
EADGBEx123
3frEADGBE4231
5frEADGBE111324
11frEADGBE44x213
A7♯9♯5
A - C♯ - F - G - C
D13sus4
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x
D13sus4/C
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x
F♯7/E
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
D♯maj7♯11
EADGBEx314x
3frEADGBE11x423
6frEADGBE11x234
10frEADGBE111123

Explore More

Butterfly in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to D# (ascending major third), D# to B (descending major third), B to D# (ascending major third), D# to G# (ascending perfect fourth), G# to E (descending major third), E to D# (descending half step), D# to D (descending half step), D to D (ascending unison), D to E (ascending whole step), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to F# (ascending major third), F# to D# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to B by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 53 bars · Form: AB

Chords: Bm7, D♯m7, Bm11, D♯m11, G♯m11, E7, D♯7♯9♯5, Dmaj7/B♭, Dmaj7♯5/B♭, E13, A13sus4, A7♯9♯5, D13sus4, D13sus4/C, F♯7/E, D♯maj7♯11.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B